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Artie Shaw: Rhythm Makers
If you want to know what America was like at different points in time, listen to the music. While sheet music and recordings are hardly perfect reflections of our culture—demographic and regional tastes are never unified nor do they shift in lockstep—music can offer compelling clues. After all, music's primary purpose is to appeal to listeners—challenging ...
Take Five With Rick Bogart
by AAJ Staff
Meet Rick Bogart: Rick Bogart, clarinetist, vocalist and composer, is an Arabesque Recording Artist. Latest release is a ballet for solo dancer and solo clarinetist on Arabesque Records. Played in New Orleans during the heyday of the French Quarter. “We played six sets a night, six nights a week, year in and year out--all [through the ...
Greg Abate: The World Can Sleep Better
by Rob Mariani
Only about 10 minutes late for a lunchtime interview with saxophonist Greg Abate, driving up to the restaurant he's clearly visible, standing by the door looking at his watch and scanning the parking lot with a slightly anxious expression on his face. Unlike some of the other famous and infamous players of bebop and jazz, Abate ...
Mort Weiss: Mort to Come
by Sammy Stein
Mort Weiss is a clarinetist with attitude. He has also achieved what few would dare--taking a break from music for almost 40 years and then making a successful comeback. Every man is a sum of his parts, his life story put together like pieces of a jigsaw. For some, the puzzle is simple, pieces slot together ...
All That Jazz Month: Phoenix, AZ, November 9-30, 2012
by Patricia Myers
All That Jazz MonthMusical Instrument MuseumPhoenix, AZNovember 9-30, 2012All That Jazz Month, in November 2012 at the Musical Instrument Museum (MIM), featured a star-studded concert series that included the saxophonist Branford Marsalis Quartet, vocalese masters Manhattan Transfer, DIVA Jazz Trio with saxophonist Grace Kelly, and a Django Reinhardt Tribute, all staged ...
Artie Shaw: 'Second Chorus'
Artie Shaw hated movie studios. As early as the late 1930s, he detested the way studio bosses abused stars and the seemingly inane demands they made on actors, writers and musicians. He also found that the hours spent waiting around studios between filming takes was a waste of time, and he abhorred how the studios sucked ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
Swingin' On A V-Disc This Week On Riverwalk Jazz
This week on Riverwalk Jazz it's the story of the V-Disc, a WWII morale-boosting recording initiative that created novel collaborations between jazz artists of the era. By September 1945, total production reached 4.5 million records. By the end of the program, it is estimated that more than 8 million V-Discs were distributed. The Jim Cullum Jazz ...
Anat Cohen: Claroscuro
by Dan Bilawsky
Art begets art on Anat Cohen's Claroscuro. The Israeli-born, New York-based multi-reedist leaves the confines of Benny Goodman's world behind, following her clarinet-only sojourn into king of swing territory, Clarinetwork: Live At The Village Vanguard (Anzic, 2010), with a wide-ranging musical treatise on the balance between light and dark. Cohen addresses each end of the color ...
Jeff Coffin And The Mu'tet: Into The Air
by Bruce Lindsay
Jeff Coffin has held down jobs with two of the highest-profile bands in contemporary American music, with Béla Fleck = 6 733 and The Flecktones from 1997 to 2010, and with the Dave Matthews Band since 2009. High profile bands have busy schedules, but the saxophonist has also found the time to run his Mu'tet since ...
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