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New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Sarah Manning: Shattering The Glass Ceiling
by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Sarah Manning: Dandelion Clock
by Raul d'Gama Rose
It takes a long time for the delightful shock of first hearing Sarah Manning's emphatic, almost blasé, voice--rich, tunefully accented and almost bronzed, as full as a sudden blast of sunshine. The first sounds of her alto saxophone are so indelibly burned in the memory that virtually everything else becomes a blur except undulating glissandos of ...
Sarah Manning: Dandelion Clock
by Woodrow Wilkins
It may take years of listening before a music enthusiast can identify the sound of a musician, distinct and separate from others who play the same instrument. David Sanborn, Bob Mintzer and Jay Beckenstein are just a few examples of saxophonists whose voices are easily distinguished. Sarah Manning hopes to join their ranks. Manning ...
Sarah Manning: Dandelion Clock
by Bruce Lindsay
The cover of Dandelion Clock, Sarah Manning's third album as leader, shows the saxophonist in soft focus, lying on a bed of fallen autumn leaves and lightly cradling her alto. It's standard smooth jazz cover art--but appearances can be deceptive, for Manning is one of the hardest-blowing and intense of musicians while her talents as a ...
Sarah Manning: Dandelion Clock
by Dan Bilawsky
Abstraction and accessibility isn't an easy match, but alto saxophonist Sarah Manning weds the two with fine results on Dandelion Clock. Manning's desire to create “a working, stable group that through rehearsals and philosophy lives and breathes on stage as a musical unit," is largely achieved with this quartet, featuring bassist Linda Oh, pianist Art Hirahara ...
Royal Hartigan: Blood Drum Spirit: Royal Hartigan Ensemble Live in China
by Karl Ackermann
Recorded on Beijing, Blood Drum Spirit: Royal Hartigan Ensemble Live in China is the third of a trilogy, but includes changes from the original studio namesake. Guitarist Kevin McNeal is replaced by pianist Art Hirahara, giving the quartet a bit more punch. The first Blood Drum Spirit (Innova, 2004) entry consisted almost entirely of original compositions, ...
Sarah Manning: Dandelion Clock
by John Barron
In the midst of the college-bred blandness of saxophonists posturing for position on the jazz stage with technique to spare and a full store of generic ideas, stand a few risk takers who don't seem to be the least bit concerned with tired jam session worthiness. Such an artist is alto saxophonist Sarah Manning whose third ...
Dan Aran: Breathing
by Bridget A. Arnwine
When a CD is released, one of its most revealing aspects--and that of the artist's mindset during the recording process--is the title that has been assigned. With a title like Breathing, there are several things that can be presupposed: first, maybe the artist recorded the album in a stiflingly hot space and the title was chosen ...
Dan Aran: Breathing
by David Adler
Dan Aran's Breathing arrived with a short, dour note from Luke Kaven, head of Smalls Records, on the shaky future of indie-label jazz. That's not news and yet Breathing underscores the stakes involved for artists whose work is too fine to go undocumented. Aran, an Israeli-born drummer, is such an artist. Breathing is very ...
