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Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
N. Glenn Davis: Come Right In
by John Patten
The N. Glenn Davis Quartet resurrects the sound of classic bebop on Come Right In, presenting a set of 10 tunes arranged by Davis, three enhanced by saxophone giant Phil Woods. Woods plays magnificently on two Davis originals--the opening A Different Day" and Just a Tadd," as well as If You Could ...
Tobias Gebb & Unit 7: free at last
by Dan Bilawsky
New York-based drummer Tobias Gebb assembled a stellar cast for free at last. The format of Unit 7 follows the instrumentation tradition of Art Blakey's Jazz Messengers. The three-horn frontline and three-man rhythm section allows this group to sound bigger than it is at times, while also having the flexibility to make things more intimate. Gebb ...
Antonio Ciacca: Lagos Blues
by J Hunter
Four decades ago, Miles Davis called then-burgeoning saxophonist Steve Grossman an important voice in this music." One of the people who heard that voice was pianist Antonio Ciacca. Lagos Blues, Ciacca's second disc for Motema, not only shows Grossman's influence as Ciacca's former teacher; it also includes the now-legendary tenor player's direct influence, as he joins ...
Jeff Dayton-Johnson's Best of 2009
by Jeff Dayton-Johnson
Jazz Man of the Year honors go without a doubt to Rafael Gilbert of Spain, who attended a performance by Larry Ochs of the ROVA Saxophone Quartet at the Sigüenza Jazz Festival in December, and called the police to report that, whatever it was that Ochs was playing, it wasn't jazz. Ochs was asked to play ...
Joanne Brackeen: Phenomenal Capacity
by Russ Musto
One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...
Mickey Roker: You Never Lose the Blues
by Victor L. Schermer
Drummer Mickey Roker is a mainstay and icon of the jazz world, having a played with Dizzy Gillespie, the Modern Jazz Quartet, Lee Morgan, and many of the other signature groups of modern jazz. Yet he has always maintained his Philadelphia roots, and is and has been a regular at Ortlieb's Jazzhaus in that ...
Mike Mainieri: Man Behind Bars
by John Kelman
It's hard to imagine vibraphonist Mike Mainieri in his seventies. Not only does he look and sound like a man 10 years (or more) his junior, but a quick look at the projects he's been involved in over the past few years sound like anything but a septuagenarian resting on his not inconsiderable laurels.
Glenn Cashman / UAB SuperJazz / Elliot Deutsch Big Band / Russ Spiegel Jazz Orchestra
by Jack Bowers
Glenn Cashman And the Southland Big Band! Primrose Lane Music 2009 Even though Glenn Cashman's superlative Southland Big Band makes its home (technically) south of the Mason-Dixon Line, it is more than a few miles removed from cotton fields, mint juleps and the Mississippi River--to be more precise, in the ...


