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Ralph Peterson's Unity Project: Outer Reaches
by John Kelman
To build the kind of staying power that keeps fans coming back for more, you've got to have consistency. In a jazz world where artists are expected to be self-reliant when it comes to promotion, dropping out for more than half a decade can have some serious implications. Emerging loudly as part of 1980s young lion ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
NEA Jazz Masters Program Morphs into Museum of Jazz Masters
By Fradley Garner It's happened every year since 1982, but it won't again after 2012, when the honors- loaded gravy train arrives at its 30th and last stop. The National Endowment for the Arts' Jazz Master Awards, America's highest honor in its own music genre, then goes the way of the space shuttle. For three decades, ...
The George Lernis Jazz Quartet: Shapes of Nature
by Greg Simmons
Many people recall the tedium of childhood music lessons: the endless scales; impatient instructors; and the drudgery of practice, practice, practice. A few gifted individuals get to move on to bigger and better things, but the vast majority face a conspiracy of limited talent and the distraction of competing interests. Fortunately, those who do possess the ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Australia's Backlash Jazz Quintet revives hard bop sounds with cage-rattling energy on new CD
To trumpeter Benn Hodgkin, jazz is about an era. A specific style. And a record label. When Hodgkin formed his band the Backlash Jazz Quintet in 2002, it was to pay homage to the hard bop records that Blue Note released in the '50s and '60s. Artists such as Cannonball Adderley, Art Blakey, and Freddie Hubbard ...
Triple Play with Dave Brubeck: Saratoga Springs, NY, June 10, 2011
by R.J. DeLuke
Triple Play with special guest Dave Brubeck Skidmore College SaratogaArtsFest Saratoga Springs, NY June 10, 2011 The Brubecks are a family of fabulously talented musicians, starting of course at the top with father Dave, an American cultural icon. Among that brood is Chris, known for his talents as a bassist and ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...
Anthony Branker: Jazz Dialogics
by Victor L. Schermer
Anthony Branker is a musician for all seasons. He began his career as a trumpeter, including a stint with the Spirit of Life Ensemble, which honored its African-American and Afro-Caribbean roots during a multi-year tenure as the Monday night band at the legendary Sweet Basil club in New York City. Over time, Branker developed an increasing ...
Falkner Evans: The Point Of The Moon
by Mark Corroto
It is natural to equate a bit of hubris with jazz, but pianist Falkner Evans checks his ego at the door on The Point Of The Moon.Like his previous trio session, Arc (CAP, 2007), he returns with bassist Belden Bullock and drummer Matt Wilson, but supplements things with the horn frontline of tenor saxophonist ...
