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Article: Profile

Art Blakey: The Musical Drummer

by Anton Rasmussen
October 31, 2013

“Jazz Washes Away the Dust of Everyday Life" --Art Blakey So said, Abdullah Ibn Buhaina (1919-1990), more widely known to the world of jazz by his pre-Islamic name: Art Blakey. Blakey was my first introduction into the musicality of jazz drumming and, in some senses, my introduction to a lifelong love of jazz.

Article: Interview

Ron Aprea: Passion Supreme

by Nicholas F. Mondello
October 28, 2013

Ron Aprea is a saxophonist's saxophonist. After all, none less than the late, great Frank Foster called him friend, confidant, section mate and leader. And Foster wasn't alone in this regard. Aprea has been a mainstay and graced the sax section in the bands of Lionel Hampton, Woody Herman and many others. A multi-faceted musician with ...

Article: Interview

Ralph Peterson: Music Teaches You Life

by George Colligan
October 24, 2013

[Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was recently in Athens, as part of my tour with Jack DeJohnette. Shortly after arriving, I'm sitting in my hotel room, and I get an unexpected call. “Colligan!" “Uh...yes?" And then I hear one of my obscure compositions, “Reaction," being sung ...

Article: Interview

Lonnie Plaxico: Being Your Own Bird

by George Colligan
October 20, 2013

Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Electric and acoustic bassist Lonnie Plaxico has been on the jazz scene in New York since 1980. He is on hundreds of recordings with everyone from Art Blakey, Cassandra Wilson, Jack Dejohnette, to Ravi Coltrane. He has 13 CDs as a leader, ...

Article: Interview

George Cables: The Pianist’s Dedication to the Group

by Victor L. Schermer
October 14, 2013

Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...

News: Birthday

Jazz Musician of the Day: Art Blakey

October 11, 2013

All About Jazz is celebrating Art Blakey's birthday today! Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told ...

Article: Multiple Reviews

Libor Smoldas: Intuition and Dreamtime

by Chris Mosey
October 10, 2013

Libor Smoldas is one of the best jazz guitarists the Czech Republic has produced in recent years. He plays extremely fluent, straight ahead music in the Jim Hall tradition, with overtones of Kenny Burrell. He is more relaxed, less intense than his contemporary, David Doruzka, best known of the current crop of Czech jazz guitarists. Smoldas ...

Article: Album Review

Ron Aprea: Remembering Blakey

Read "Remembering Blakey" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello
October 5, 2013

Legendary drummer Art Blakey, he of the eponymous Jazz Messengers, is regularly attributed with saying: “Jazz washes away the dust of everyday life." Well, if that's the case, this superb recording from saxophonist Ron Aprea and his cleaning crew certainly left the studio spotless, and themselves, to be somewhat crude but oh-so accurate, assless.This ...

Article: Album Review

Ron Aprea Sextet: Remembering Blakey

Read "Remembering Blakey" reviewed by Edward Blanco

by Edward Blanco
October 2, 2013

Legendary New York alto saxophonist Ron Aprea is recognized as much for his skills as an arranger, composer, record producer and band leader as he is known for his superb musicianship. On Remembering Blakey, Aprea brings to the fore all of his talents in churning out a monster album that pays homage to the leader of ...

Article: Interview

Mike Clark: East Bay Funk

by George Colligan
September 25, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...