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Big Jazz on SmallsLIVE
by Bob Kenselaar
Since its launch in 2010, the SmallsLIVE record label has been offering a substantial sampling of the outstanding jazz talent consistently featured at Smalls Jazz Club in New York City's Greenwich Village. Musicians who appear on the label range from the great veterans Harold Mabern and Jimmy Cobb to contemporary players at the top of their ...
Chris Massey & The NJP: Whosoever
by Dan Bilawsky
Drummer Chris Massey's debut--Vibrainium (Self Produced, 2011)--was an Art Blakey-influenced quintet date that put a modern slant on the hard bop tradition; this follow-up follows the same guidelines, but puts a greater emphasis on the modern. Massey tips his cap to those who came before him by including an always-in-style standard ("Old Devil ...
Gunter Baby Sommer: Kommeno - A Threnody
by Duncan Heining
Seventy years ago, the small village of Kommeno in Greece experienced a tragedy from which it has never really recovered. What happened there on August 16, 1943 was not unusual in the context of a war pursued by an enemy determined to stamp out all opposition. Other towns in Greece and its islands, such as Distomon ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
The Beginners: Two Years Later
by Chris Mosey
The band's name is a typical piece of shy Swedish understatement. Its two leaders, guitarist Erik Söderlind and saxophonist Andreas Gidlund, are anything but beginners; they have a great deal of experience on the local jazz scene. Söderlind has attracted attention for his collaborations with veteran keyboards player Kjell Öhman and his studio ...
Tine Bruhn: Nearness
by Dan Bilawsky
A curve ball can be the cause of consternation but it can also go the other way, ending up as a serendipitous game changer. Such was the case with the initial meeting between vocalist Tine Bruhn and pianist Johnny O'Neal. Both figures first encountered one another in the summer of 2011, when Bruhn's steady pianist backed ...
Randy Simon Jazz Project: Nyhavn Live
by Nicholas F. Mondello
As instrumentalists and established groups explore new musical vistas, there's somewhat of a “safe harbor" in the richness of classic hard bop. Perhaps that's because the repertoire and stylistic formats of drummer Art Blakey and the Jazz Messengers, pianist Horace Silver and the like offer performers significant latitude in terms of groove, melodic and harmonic diversity, ...
Drummer Alan Nelson @ Arch St. Friends Phila. Thursday March 21st!
Jazz Bridge in Old City Philadelphia! presents drummer Alan Nelson at Arch Street Friends Meeting House — 4th and Arch Street in Philadelphia — on Thursday, March 21st. Tickets are $10, $5 for students, and are available only at the door. Show time is 7:30. Information: 215-517-8337. It’s for good reason that Alan Nelson is often ...
I Was Too Stoned to Perform: A Love Story, Kinda
by Mort Weiss
It was some time in the early 1960s and this story finds me, still Mort Wise, and my band--still named the Wisemen--having just signed a contract with World Artist Management services, a very happening company whose roster had names like Red Skelton, Ray Charles, Jacqueline Fontaine and many others. I would be one of the many ...
Tine Bruhn: Nearness
by C. Michael Bailey
With the rapid evolution of jazz in the past generation, a simple performance approach offers the benefit of showing from where we have come. Denmark-cum-New York City native vocalist Tine Bruhn joins pianist Johnny O'Neal (late of drummer Art Blakey's Jazz Messengers and vibraphonist Milt Jackson's band) and saxophonist Stacy Dillard for a collection of ten ...
