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Jazz Orchestra of Philadelphia Tribute to Strayhorn and Golson at the Kimmel Center
by Victor L. Schermer
Jazz Orchestra of Philadelphia Spring Concert Honoring Billy Strayhorn and Benny Golson Perelman Theater Kimmel Center for the Performing Arts Philadelphia, PA May 9, 2015 This concert was billed as A Tribute to Billy Strayhorn," but it was, in fact, evenly divided between Strayhorn's music and that of ...
Art Blakey and the Jazz Messengers: Moanin’ – Blue Note 4003
by Marc Davis
Jazz fans will argue forever over the best version of The Jazz Messengers. Was it the group with Wayne Shorter and Lee Morgan that made A Night in Tunisia in 1960? The 1954 edition with Horace Silver, Clifford Brown and Lou Donaldson that made A Night at Birdland? (Which isn't technically a Jazz Messengers album, but ...
Pianist Enlargement
by Jeff Fitzgerald, Genius
We're celebrating Keith Jarrett's 70th Birthday with the republication of this October 2003 Genius Guide to Jazz article. A recent AAJ poll reveals that if you were to ask the average American to name the most influential living jazz pianist, 89.4% of them would giggle like a schoolgirl because the word pianist" sounds naughty ...
Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
Jax Jazz Collective: All the Things You Are: The Music of Jerome Kern
by Dan McClenaghan
This is a marvelous approach to making jazz recordings: picking one Great American Songbook composer at time and exploring a set of his tunes, with a personal touch. Pianist Oscar Peterson released a series of tributes to the Standards tune-smith's on Verve Record back in the 1950s, tagged Songbooks," celebrating George Gershwin, Cole Porter, Richard Rodgers, ...
Thelonious Monk "Complete Riverside Recordings" Coming from Concord on May 19
CONCORD MUSIC GROUP TO REISSUE GRAMMY AWARD-WINNING THELONIOUS MONK COLLECTION: THE COMPLETE RIVERSIDE RECORDINGS Reconfigured box set features monk’s entire output for Riverside label, extensive liner notes by compilation producer, the late Orrin Keepnews LOS ANGELES, CA: Concord Music Group is pleased to announce the reissue of its GRAMMY Award-winning Thelonious Monk anthology, The Complete Riverside ...
John Engels: Looking Back, Moving Forward
by Joan Gannij
Drummer John Engels has the energy of two forty-year olds, which is pretty impressive, since he will soon be turning 80. He will celebrate this auspicious occasion with the Vogel Vrij (Free as a Bird) tour, a series of concerts at diverse venues throughout the Netherlands (with saxophonists Benny Golson and Benjamin Herman) which began in ...
Benny Green: Live In Santa Cruz
by Mark Corroto
We hope you've made the journey these past thirty plus years with pianist Benny Green. From hotshot young lion to keeper of the jazz flame he has consistently electrified audiences with his live performances. Live In Santa Cruz recorded at the Kuumbwa Jazz Center follows up on a recording he made as bassist Ray Brown's sideman ...
Cliff Jordan and John Gilmore: Blowing in From Chicago – 1957
by Marc Davis
Imagine if Art Blakey and the Jazz Messengers, at the height of their popularity in 1957, invited a couple of sax guys you've never heard of to play with them. The result would be Blowing in From Chicago--a lively, wonderful record firmly in the Blue Note bop tradition. The rhythm section is ...


