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Article: Album Review

Craig Fraedrich: Out of the Blues

Read "Out of the Blues" reviewed by Chris M. Slawecki


Out of the Blues, featuring Craig Fraedrich on trumpet and flugelhorn with The Jazz Trumpet Ensemble, would have sounded great in the sweltering hard-bop landscape that Cannonball Adderley, The Jazz Messengers led by Art Blakey, Horace Silver and other jazz legends began to explore in the late 1950s. Fraedrich has been featured trumpet soloist ...

Article: New York Beat

Eric Reed at Smoke Jazz & Supper Club

Read "Eric Reed at Smoke Jazz & Supper Club" reviewed by Nick Catalano


Hard Bop continues to find a home in NY's Smoke Jazz & Supper Club. For decades the room featured One for All -a group whose stalwart players Eric Alexander, Steve Davis, David Hazeltine, John Webber, Jim Rotondi, and Joe Farnsworth had critics comparing them to Art Blakey's Jazz Messengers. These players often led smaller groups into ...

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Article: From the Inside Out

Sonic Styles of the Seventies

Read "Sonic Styles of the Seventies" reviewed by Chris M. Slawecki


Hugo Fattoruso Hugo Fattoruso Y Bario Opa Far Out Recordings 2018 Once upon a time in Uruguay, teenage brothers Osvaldo and Hugo Fattoruso stepped out of their musical family trio to play guitar and bass for popular Latin American jazz (swing) and rock 'n' roll ensembles venturing in ...

4

Article: Live Review

Geoffrey Keezer at South Jazz Parlor

Read "Geoffrey Keezer at South Jazz Parlor" reviewed by Victor L. Schermer


Geoffrey Keezer Trio South Kitchen and Jazz Parlor Philadelphia, PA July 8, 2018 Pianist Geoffrey Keezer is a jazz master who has worked with many of the greats since 1989 when he briefly joined the end game of Art Blakey's Jazz Messengers. He has recorded and played ...

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Article: Album Review

Cliff Brucker: Full Circle, Vol. 2

Read "Full Circle, Vol. 2" reviewed by Dan McClenaghan


Drummer Cliff Brucker is based in New York, but it is not the big city. He and his crack quintet--two horns, piano/bass/guitar drums--are settled in upstate, in Albany. They revisit the sound of the Blue Note Records' heyday on this follow up to Full Circle (Self Produced, 2016), with Full Circle, Vol 2. A ...

2

Article: Bailey's Bundles

Seven Women (Plus Three) 2018 – Part VII

Read "Seven Women (Plus Three) 2018 – Part VII" reviewed by C. Michael Bailey


Well, that didn't take long. What started as “Five Women" quickly grew into the present “Seven Women" and will continue to the end of this year as “Seven Women (Plus Three) as a continuing reflection of the state of female vocalists and instrumentalists. We are blessed with an abundance of musical riches. Adi Meyerson ...

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Article: Interview

Ron Korb: Pan-Global Flutist

Read "Ron Korb: Pan-Global Flutist" reviewed by Rob Caldwell


In a 20-year career, Grammy nominated flutist Ron Korb has experienced the lows and highs of a touring musician. He's been stuck in the Panamanian jungle when the bus transporting he and his band to their show broke down, leaving them teetering on the top of a hillside for hours in the blazing sun while repairs ...

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Article: Live Review

Terence Blanchard and E-Collective at Ardmore Music Hall

Read "Terence Blanchard and E-Collective at Ardmore Music Hall" reviewed by Geno Thackara


Terence Blanchard and E-Collective Ardmore Music Hall Ardmore, PA June 12, 2018 It's meant as a compliment on originality, not a sign of mere imitation, to say there was a heavy Miles Davis vibe in the air when Terence Blanchard and his E-Collective group hit the snug-sized stage of the ...

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Article: Album Review

Mark Kavuma: Kavuma

Read "Kavuma" reviewed by Roger Farbey


Mark Kavuma may not be well-known yet but, still in his early twenties, he's making waves on the British jazz scene. An alumnus of Trinity Laban Conservatoire of Music & Dance, he's already played two gigs as a guest soloist with Wynton Marsalis and Jazz at Lincoln Center Orchestra, at London's Barbican Centre, on February 20, ...

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Article: Album Review

B.J. Jansen: Commmon Ground

Read "Commmon Ground" reviewed by Luigi Sforza


Appare chiaro sin dalle prime battute quale sia il mood di questo progetto del giovane sassofonista baritono B.J. Jansen. La maggior parte del repertorio è costituita da una sequenza di episodi musicali che molto hanno a che fare con la tradizione musicale afroamericana. Ad eccezione di “Carol's Dream" e “Suol Loss" --ballad dai lineamenti ...


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