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30

Article: Interview

Kevin “Bujo” Jones: Jazz as a Part of The Continuum

Read "Kevin “Bujo” Jones: Jazz as a Part of The Continuum" reviewed by Jane Kozhevnikova

by Jane Kozhevnikova

Jazz musicians can be found working in any other music styles, probably because jazz gives great flexibility and freedom of expression that can be easily applied to any music. Kevin “Bujo" Jones, a percussionist born in Englewood, New Jersey, and residing in Grand Rapids, Michigan, feels equally comfortable playing jazz and non-jazz. Moreover, he does not ...

18

Article: Album Review

Zoh Amba: Bhakti

Read "Bhakti" reviewed by Mark Corroto

by Mark Corroto

It may be an overused metaphor, but saxophonist Zoh Amba does indeed stand on the shoulders of giants. Proof of that phrase is Bhakti, a tour de force of passionate free jazz. The twenty—something artist draws on traditions born of the 1960s from artists such as Albert Ayler, Pharoah Sanders, Archie Shepp, and Peter Brötzmann. Her ...

30

Article: Interview

Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!

Read "Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!" reviewed by Chris May

by Chris May

For jazz lovers in general, and Impulse! devotees in particular, the future just got brighter, more orange and more black. Jamie Krents, a longtime Impulse! aficionado, has been appointed the label's president. In his previous role as executive vice president, Krents played a determining role in recent signings such as The Comet Is Coming (pictured), The ...

8

Article: Album Review

Archie Shepp: Fire Music To Mama Too Tight Revisited

Read "Fire Music To Mama Too Tight Revisited" reviewed by Chris May

by Chris May

In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and ...

8

Article: Album Review

Henry Franklin: Jazz Is Dead 14

Read "Jazz Is Dead 14" reviewed by Chris May

by Chris May

Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...

33

Article: Building a Jazz Library

Matthew Shipp: A Dozen Essential Albums

Read "Matthew Shipp: A Dozen Essential Albums" reviewed by Karl Ackermann

by Karl Ackermann

While he was still in his fifties, some pundits were hailing Matthew Shipp as the “elder statesman" of avant-garde jazz piano. The sentiment, if not the Stonehenge-like title, was spot on. The Wilmington, Delaware native grew up in jazz, with trumpeter Clifford Brown being a family friend. Shipp began studying piano at age 6 and later ...

3

Article: Album Review

Albert Ayler: At Slugs’ Saloon 1966 Revisited

Read "At Slugs’ Saloon 1966 Revisited" reviewed by Mark Corroto

by Mark Corroto

With Albert Ayler it has seemingly always been “what If." What if he had survived that plunge to his death in the East River in 1970? Setting aside the question of whether he was murdered or committed suicide, how would he have altered the course of music if he lived beyond those 34 years? At the ...

2

Article: Radio & Podcasts

Saxophonists, Classic and Contemporary

Read "Saxophonists, Classic and Contemporary" reviewed by Jerome Wilson

by Jerome Wilson

This show features a wide variety of saxophonists, both as soloists and bandleaders. It includes iconic players like Stan Getz and Roscoe Mitchell as well as today's stars with Melissa Aldana and Miguel Zenon. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry ...

7

Article: Book Excerpts

Ugly Beauty: Jazz in The 21st Century

Read "Ugly Beauty: Jazz in The 21st Century" reviewed by Philip Freeman

by Philip Freeman

The following is an excerpt from Chapter 1, “JD Allen: Just Keep Going" from Philip Freeman's Ugly Beauty: Jazz in The 21st Century (ZerO Books, 2022). Queens, New York seems purposely designed to confuse travelers. It's January 2, 2020, a brisk but sunny day, and I'm to meet saxophonist JD Allen at Samurai ...

5

Article: Live Review

North Sea Jazz 2022

Read "North Sea Jazz 2022" reviewed by Phillip Woolever

by Phillip Woolever

North Sea Jazz Festival Ahoy Rotterdam Rotterdam, The Netherlands July 8-10, 2022 The post-pandemic, new North Sea normal seemed much the same as before, except the stakes were higher than usual due to economic recovery issues and continued uncertainty regarding Covid-19 resurgence. While the global entertainment sector bloomed ...


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