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Lee Ritenour & Dave Grusin: Brasil
by Edward Blanco
Friends and musical partners since the '70s, guitarist Lee Ritenour and pianist Dave Grusin continue their collaboration on Brasil, thanks to Ritenour's Brazilian wife Carmen, who was influential in recommending the project, and to the many outstanding Brazilian players who grace the album. Though the repertoire contains two Ritenour originals and one from Grusin, the producers ...
Paula Maya: Rio de Janeiro
by Richard J Salvucci
It is important to understand that this is a Brazilian recording which, like singer Paula Maya, made its way to the United States. Maya, who now calls Austin, Texas home, writes, plays, teaches and sings. She has a significant number of previous recordings--nearly a dozen--to her credit, but this one is a bit different. For one ...
Natalie Jacob: Sooner Or Later
by Pierre Giroux
Sooner Or Later is jazz vocalist Natalie Jacob's debut release. It is a refreshing addition to the jazz landscape, blending classic Great American Songbook tunes and bossa nova standards. Produced by Grammy Award winner Scotty Barnhart, the album benefits from the contributions of an outstanding ensemble, including Barnhart on trumpet, pianist Tamir Hendelman, guitarist Anthony Wilson, ...
Ron Carter: Anything Goes
by Arnaldo DeSouteiro
Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three ...
Larry Nozero: Time
by Chris May
Here is an odd one. Originally released on the short-lived Detroit label Strata in 1975, Larry Nozero's Time defies categorization. First-generation spiritual jazz, Henry Mancini, Motown, strings (real and synthed), the Swingle Singers, Braziliana and Shaft era Isaac Hayes jostle around the mic, along with Sibylline hints of Kamasi Washington. Is it for real? Is it ...
J come Jobim
by Paolo Peviani
J come Jobim--Una Nota Sola e Molte Culture Polillo Art Container Alfabeto di Parco Milano 19.06.2024 Terzo appuntamento di Alfabeto di Parco, rassegna che porta al Polillo Art Container una serie di incontri, lezioni concerto a tema. Un alfabeto che procede in modo randomico e che dopo la R di ...
From Showboat-to-Samba: Transculturation of Brazilian Music in America
by Troy Hoffman
By 1957, jazz music was fully stretching out and the bossa nova movement was one of the many impacts. American artists of all types had been expanding their knowledge of international cultures for quite some time, specifically Latin countries and the musical rhythms driving them--one of the earliest being Cuban culture, which began popularizing in the ...
Greg Chako: Standard Roots
by Edward Blanco
Cincinnati-based veteran jazz guitarist and composer Greg Chako presents his 17th album as leader with the light and tender Standard Roots, returning to his musical foundation of performing in the guitar trio format as he joins forces, once again, with two stalwart players of the Cincinnati jazz scene, bassist Mason Daugherty and drummer Michael Meloy. An ...
I poeti del piano solo: Fred Hersch e Gregory Privat
by Neri Pollastri
Fred Hersch, Gregory Privat Sala Vanni I Poeti del Piano Solo Firenze 10-11.5.2024 Quinta edizione della rassegna fiorentina “I Poeti del Piano Solo," che ogni anno, grazie alla direzione artistica di Stefano Maurizi, porta sui palcoscenici cittadini una selezione dei più interessanti pianisti jazz della scena internazionale. Quest'anno i concerti ...
The Louis Stewart Trio: Louis The First
by Ian Patterson
Long before Irish guitarist Louis Stewart released his debut album, the punningly titled Louis The First, none other than Joe Pass was singing his praises. Pass was not the only one; Ronnie Scott, who hosted many of the great jazz guitarists in his famous London venue, considered Stewart to be one of the best. Stewart was ...
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