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Tyshawn Sorey: Composite Reality
by Daniel Lehner
Though Tyshawn Sorey's Oblique-I (Pi Recordings, 2011) is his most recent release to date, it's actually comprised of some of the percussionist/composer's earliest work. Containing music that is sonically dense, enormously challenging and (as the title suggests) consistently blurs and obscures the lines drawn between improvisation and composition, it has been hailed by critics and fans ...
Alexander Hawkins Ensemble: All There, Ever Out
by John Sharpe
It has been the Holy Grail of jazz since its inception: to carve out the perfect balance between the written and the spontaneously invented. While All There, Ever Out may not be the definitive statement, English pianist Alexander Hawkins has taken a bold stab at a new version of the equation, combining composition and improvisation in ...
Jazz Musician of the Day: Anthony Braxton
All About Jazz is celebrating Anthony Braxton's birthday today! To his list of achievements and awards, Anthony Braxton may now add the 1994 MacArthur Fellowship: the so-called “genius" grant of (in his case) $300,000, awarded to individuals nominated for outstanding and original contributions to their field. The timing of this crowning achievement couldn\'t be better for ...
The Rocket Ship Takes Off
by Mark Corroto
I have good news and bad news. The bad news is the big record companies are dead. The good news is the big record companies are dead. Gone are the days of Columbia Records signing trumpeter Wynton Marsalis to a million dollar contract and then promoting the hell out of his vision of jazz, selling his ...
BAM: Bremen Art Music?
by Francesco Martinelli
[Editor's Note: It's been quite a few years since Italian writer, music educator and general provocateur Francesco Martinelli last contributed to All About Jazz. Having recently returned home from Jazzahead! 2012 in Bremen, and with the current debates about the meaning, future and relevance of the word “jazz" fresh in his mind, Martinelli posits an alternate ...
Steve Lehman Trio: Dialect Fluorescent
by Glenn Astarita
Among studies with new music icons, reedman Anthony Braxton and trombonist George Lewis, alto saxophonist Steve Lehman has emerged as an important figures in the recent shift towards a more radical spin on jazz. Pushing the envelope is a common thrust for Lehman, who historically enjoys working within a tight-knit trio setting. On this release, he ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Joe McPhee: Artistic Sacrifice from a Musical Prophet
by Lloyd N. Peterson Jr.
He could have easily chosen a different path: a more successful one or, perhaps we should say, a more commercial one. But that has never been the style or the character of multi-instrumentalist Joe McPhee. His saint-like humility reflects a gentle and wise creative spirit; his music and poetry are a mirror into the human condition. ...
Anthony and Me
by Dom Minasi
When I was asked to write a column for All About Jazz, my question was what should I write about? I was told anything that was music-oriented. I decided that being a professional musician for more than fifty years, I could write about the things I care about, know about, have strong opinions about ...
Take Five With Kyoko Kitamura
by AAJ Staff
Meet Kyoko Kitamura: A former journalist with childhood piano training at Juilliard Pre-College and a stint as a one-time war reporter on her résumé, Kyoko Kitamura is an oddball vocal improviser and composer who has performed and/or recorded with many distinguished musicians including Anthony Braxton, Reggie Workman, Steve Coleman, Jim Staley and Taylor Ho ...
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