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Insufficient Funs: Chunk
by Ian Patterson
Back for even more fun, Irish stalwarts Matthew Jacobson and Sam Comerford follow up their EP Insufficient Funs (Self Produced, 2016) with their debut album, Chunk. Insufficient Funs gigs have been intermittent in the intervening decade. Still, drummer Jacobson and saxophonist Comerford have kept their collaborative fires burning in both Ingo Hipp's AERIE and Chris Guilfoyle's ...
OM: Sudpol
by Glenn Astarita
Formed in Lucerne in 1972 by saxophonist Urs Leimgruber, guitarist Christy Doran, bassist Bobby Burri, and drummer Fredy Studer, the original quartet fused the raw voltage of rock with the open architecture of free improvisation, arriving at a sound they eventually dubbed “ElectroAcoustiCore." Studer's death in 2022, weeks ahead of the release of the anniversary album ...
Joëlle Léandre, Evan Parker: Long Bright Summer
by Neri Pollastri
Joelle Leandre e Evan Parker, due tra i massimi rappresentanti della tradizione improvvisativa europea, hanno registrato nel 1982, il primo disco assieme, 28 rue Donois, membri di un quartetto che includeva anche due straordinari musicisti come Derek Bailey e George Lewis. Negli oltre quarant'anni successivi sono state numerosissime le documentazioni delle occasioni in cui si sono ...
Gerry Hemingway with Izumi Kimura, Frank Gratkowski and Christian Weber: Live at Bau 4
by Glenn Astarita
Drummer and composer Gerry Hemingway has spent five decades proving that percussion can be as harmonically literate as any horn or keyboard. That reputation was forged during his decade with the Anthony Braxton Quartet and expanded through an expansive discography on labels including Auricle, Tzadik, Clean Feed, and Intakt. Now based in Switzerland, Hemingway continues to ...
Camila Nebbia: A Reflection Distorts Over Water
by John Sharpe
From her base in Berlin, Argentine tenor saxophonist Camila Nebbia continues to impress, extending her increasingly international reputation across the Atlantic on A Reflection Distorts Over Water. For a session recorded in the studio in Woodstock, NY, she enlists talent both established and lately emerged. Even after a storied career, most famously as part of Anthony ...
Max Johnson 3
by Daniel Peck
Described as “an intrepid composer, architect of sound and beast of the bass..." composer, bassist, and improviser Max Johnson is one of the most prolific music makers in the jazz, bluegrass, improvised music, and contemporary classical worlds. Max has released 20 albums, and performed over three thousand concerts internationally with artists like Anthony Braxton, Geri Allen ...
Sam Norris: Wood/Gold - Solo Saxophone Volume 1
by Jack Kenny
This is music where you need to embrace the journey, not the destination: The music might not have a clear beginning, middle, and end in the traditional sense; enjoying the moment-to-moment unfolding of sounds and ideas is the purpose. Sometimes the act of listening to a saxophone is rewarded because the musician wants to ...
Michael Mordecai: The Man Who Keeps Austin Jazz Moving
by Hank Hehmsoth
Michael Mordecai has spent decades inside the machinery of Austin jazz: on the bandstand, behind the phone, at the booking desk, in the contractor's chair and in the community rooms where musicians, venues and advocates try to keep the music visible. His work has never fit neatly into a single category. Mordecai is a trombonist, bandleader, ...
Nick Fraser: Still Screaming Into The Snare Drum
by Lawrence Peryer
Today, The Tonearm's needle lands on Toronto drummer and composer Nick Fraser.Nick Fraser is one of the most distinctive voices in Canadian improvised music. He has played with Anthony Braxton, Roscoe Mitchell, and William Parker, and has led projects that range from raw free jazz to something much harder to name.His latest ...
Liudas Mockūnas / Samuel Blaser / Marc Ducret: Twisted Summer
by Mark Corroto
All of modern jazz and improvised music owes a debt to Jimmy Giuffre (1921--2008). A quiet revolutionary, Giuffre helped reshape the language of jazz in ways that many musicians now take for granted. His solo recordings anticipated those of Anthony Braxton and Roscoe Mitchell, while his early experiments without a rhythm section, common practice today, were ...
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