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Lars Scherzberg: Top Floor Encounter
by John Chacona
The first phase of jazz was characterized by melodic improvisation. In its second phase improvisers dealt with harmony and, in the current phase, density is the improviser's concern. So says Anthony Braxton—if I understand him correctly (if anyone does). If so, then Top Floor Encounter may be as characteristic of our time as Armstrong's “Weatherbird" was ...
Wadada Leo Smith: String Quartets Nos. 1-12
by Mark Corroto
Wadada Leo Smith's seven CD boxset String Quartets Nos. 1-12 summons two words, epic and ineffable. The 5½ hours of music chronicle three of his four periods writing for string quartets from 1965 until 2019. The remaining work, “String Quartets Nos. 13, 14, and 15" inspired by the 13th, 14th, and 15th Amendments to the US ...
Kobe Van Cauwenherghe’s Ghost Trance Septet: Plays Anthony Braxton
by Mark Corroto
Why is it that we remember the past but not the future? That is a question which theoretical physicists are continually fascinated by. Think about it for a moment, we rely on our flawed individual observations to make judgements about the world. A few hundred years ago, Earth was definitely flat and, by further inspection, the ...
Phil Freeman Talks Jazz in the 21st Century
by Tyran Grillo
If music journalism had an award for honesty, it would belong firmly on the shelf of Phil Freeman alongside his latest book, Ugly Beauty. And if I had a choice about the design of said award, I might opt for a gold-plated boxing glove to symbolize the gut punches his words deliver. Not because his approach ...
21 Standards on Tap
by David Brown
What makes a song a standard? How does a tune enter the commonly shared repertoire that jazz musicians have been expected to know at any moment? Tonight, we spin a variety of well-worn standards for your listening pleasure. Sonny Rollins once said, “Jazz and standards are forever locked in loving embrace." Some commentary in this episode ...
Gunter Baby Sommer, Tyshawn Sorey Trio, Kobe Van Cauwenberghe & Linda Sikhakhane
by Maurice Hogue
This edition of OMJ is all over the place when it comes to new recordings—drummers Gunter Baby Sommer (with Lucaciu 3), Pierre Favre (with Samuel Blaser) and Tyshawn Sorey; saxophonists Linda Sikhakhane from South Africa and Germany's Charlotte Greve (with the Lisbeth Quartet), pianist Russ Lossing, Austria's AHL-6, and Belgian guitarist Kobe Van Cauwenberghe and his ...
Wadada Leo Smith: The Emerald Duets
by Karl Ackermann
The pioneering British photographer/author Val Wilmer said of Wadada Leo Smith, “he no longer relates to the restrictions of scales and chords. To him, music is about two things only: sound and rhythm." Her assessment, from the essential book As Serious As Your Life (Allison & Busby Ltd, 1977), was published in 1977. But in the ...
Milestones: Miles Davis Pre 1960 And His Collaborators
by David Brown
This week, a mix to mirror book one of the 1983 Miles Davis biography by Jack Chambers that I'm reading. Two full hours, celebrating the music of Miles and his collaborators pre-1960. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:30 Miles Davis Quintet “Milestones" from single (Columbia) 02:20 Lee ...
New Releases And Anthony Braxton Live
by Bob Osborne
On this show the best of recent jazz releases from around the world and a classic live track from Anthony Braxton. Featuring brand new music from George Crotty Trio, Doug Webb, Daniel Carter and The Telepathic Band, Jon Balke Siwan, Queen Kong, Artur Tuznik Sextet, Pasquale Stafano Trio, Carole Nelson Trio, David Murray Brave New World ...
Jacob Garchik: Assembly
by John Chacona
Trombonist Jacob Garchik has an interest in musical subtraction. His 2012 release The Heavens: The Atheist Gospel Trombone Album (Yestereve Records) presented religious music stripped of religion. Clear Line (Yestereve Records) from 2020 featured a 13-piece big band with no rhythm section. Now comes Assembly, an inquiry into what a jazz quintet sounds like when added ...
