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About Anne Mette Iversen
Instrument: Bass
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Anne Mette Iversen
Born:
A former student in classical piano at The Royal Danish Academy of Music, Iversen went on to study bass for four years at the Rhythmic Conservatory of Music in Copenhagen, Denmark, and graduated in 2001 from The New School University with a BFA degree in Jazz Performance. Iversen has resided in New York City for eight years. During this time, in addition to leading her own groups, she has performed with many prominent artists including Terri Lyne Carrington, Ingrid Jensen, Ben Taylor, Nina Nastasia, Carly Simon, Don Sickler, Abraham Burton, Sam Yahel, Jeremy Pelt, Freddie Bryant, Marcus Strickland, Jason Lindner, Gary Versace, Geoff Kisor, Mike Moreno, Lea Delaria, Dena DeRose and many others
Russ Lossing, Artemis, Rudy Royston and More
by Jerome Wilson
This show features newer and older jazz from a great variety of players, such as Russ Lossing, Rudy Royston, the group Artemis, and the Frankfurt Radio Big Band which is heard in two contexts, with Julian Arguelles and with Jim McNeely. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The ...
Juno Nominees, New Releases Plus Birthday Shout-outs For Sister Rosetta Tharpe, Marian McPartland And More As Womens History Month Continues
by Mary Foster Conklin
This broadcast features Juno nominees, new releases from vocalists Sarah Moule, Sarah Jerrom, Janis Siegel and guitarist David Howard plus birthday shoutouts to Elis Regina, Sister Rosetta Tharpe, Marian McPartland, Michele Rosewoman, and Deanna Witkowski, among others. Thanks for listening and please support the artists you hear by purchasing their music during this time of lockdown.
Racing a Butterfly
Label: Bjurecords
Released: 2020
Track listing: Triangular Waves; Racing a Butterfly; Parallel Flying Part 1; Parallel Flying Part 2; Butterfly Interlude; Dancing
Butterflies; Cluster; Reworking of a Butterfly; Butterflies Too.
Mike Jurkovic's Best Releases Of 2020
by Mike Jurkovic
Here we are on the heels of Annus Horriblis still clinging to traditions both minuscule and grand like year end best of lists. So in the spirit of the season and survival, here's a 2020 playlist. Listen to these in this order or random play and perhaps the year in retrospect won't appear so damn bad. ...
Bassisterhood - Part 2
by Ludovico Granvassu
We continue our exploration of bands and projects lead by female bass players which have become exponentially more prominent in the past two decades. Here is the fascinating music by musicians that debunk commonly held stereotypes related to the physicality of music, and develop a personal way to synthesize their countless sources of inspiration.
Roundup Time
by Jerome Wilson
Although the coronavirus has brought live music to a virtual standstill, recorded jazz has continued to pour out over the last few months. Here is a roundup of several recent releases that deserve some attention. Troy Roberts Stuff I Heard Toy Robot Music 2020 Troy Roberts goes ...
John Scofield, McCoy Tyner, Miles Davis and More
by Joe Dimino
This week we speak with legendary jazz guitarist John Scofield and profile his new CD Swallow Tales. We also dig into brand new material from Rudresh Mahanthappa, Lolly Allen and Anne Mette Iversen. Enjoy the jazz, friends. Playlist John Scofield Falling Grace" Swallow Tales (ECM) 00:00 Host talks 5:43 Gerry Mulligan and Stan Getz ...
Struttin With Some Barbeque - Celebrating July 4 with Louis Armstrong, Lena Horne and Friends
by Mary Foster Conklin
The Independence Day broadcast included new releases from Jimmy Heath featuring Cecile McLorin Salvant, vocalists Kathleen Grace, Melody Gardot and drummer Jake Reed with birthday shoutouts to Rhoda Scott, Lena Horne, Natalie Cressman and Louis Armstrong (yes we know, it's really in August but he claimed July 4 for his own and who are we to ...
Anne Mette Iversen Quartet + 1: Racing a Butterfly
by Friedrich Kunzmann
A working collective since 2002, Anne Mette Iversen's quartetsaxophonist John Ellis, pianist Danny Grissett, drummer Otis Brown III and Iversen herself on basshas developed a unique musical language, which transcends typical stigmas of the genre and demonstrates a special sense of light-footedness in navigating through the different bars and meters, all the while evading the self-indulgent. ...