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John Hebert: Byzantine Monkey
by Stuart Broomer
John Hébert's Byzantine Monkey begins with a loop of the traditional “La Reine de la Salle" sung by Odile Falcon in an ancient reedy voice, Hébert's improvised bass joining in, his lines at once swift and empathetic, lyrical and microtonal, his sound deeply resonant and every metallic buzz of string and finger captured. It's an arresting ...
The Charles Tolliver Big Band Live at The Iridium Jazz Club
by Dave Kaufman
The Charles Tolliver Big BandThe Iridium Jazz ClubNew York, NYOctober 17, 2009Charles Tolliver leads a modernist 16 piece big band that pushes the envelope of contemporary orchestral jazz sounds. The Big Band played a four night stand at the Iridium Jazz Club and I was fortunate to catch the second set ...
Clean Feed Records: Eat the Plate
by Mark Corroto
Clean Feed records, founded in 2001, has been the most prolific and adventurous label for jazz this new century. Based in Lisbon, Portugal their offerings have included many of jazz's old guard including reed players Evan Parker, Paul Dunmall, Charles Gayle, Vinny Golia and Anthony Braxton and trumpeters Dennis Gonzalez and Herb Robertson, along with current ...
Jason Adasiewicz's Rolldown: Varmint
by Troy Collins
Varmint is the sophomore follow up to Rolldown (482 Music, 2008), the self-titled debut of vibraphonist Jason Adasiewicz's quintet. Inspired by the avant-garde innovations of such late 1960s Blue Note recording artists as Eric Dolphy, Andrew Hill, Bobby Hutcherson, Jackie McLean, and Grachan Moncur III, Adasiewicz continues to explore the tenuous divide between inside and outside ...
Paul Giallorenzo: Get In To Go Out
by Mark Corroto
Pianist Paul Giallorenzo locates the jazz he makes with his quintet somewhere in the early 1960s, when post-bop was getting ready to explode into free jazz and its pioneers were rooted in swing, but thinking outward thoughts. Eric Dolphy's Out To Lunch (Blue Note, 1964), Ornette Coleman's Tomorrow Is The Question (Contemporary, 1959), and Andrew Hill's ...
Vijay Iyer Trio: Historicity
by Chris May
There is much that is exciting about pianist Vijay Iyer and almost as much that is irritating. The excitement is in the music and the irritation in the miasma of cerebralization that surrounds it. The most recent instance of the latter comes with the packaging for Historicity. Any album title which requires a fairly lengthy liner ...
Vijay Iyer Trio: Historicity
by Troy Collins
The art of the piano trio has enjoyed a healthy renaissance over the past two decades, as a plethora of new stars have ascended the ranks to uphold and advance the tradition. Ethan Iverson, Brad Mehldau, Jason Moran, and Matthew Shipp are just a few of the adventurous younger artists whose notion of the trio is ...
Roberto Magris Trio: Kansas City Outbound
by Dan McClenaghan
Italian pianist Roberto Magris has, much in the mode of American piano icon Jessica Williams, melded multiple influences to shape his style. He channels McCoy Tyner, John Coltrane's pianist in his 1960's rise to jazz stardom, on Kansas City Outbound's opener/title tune. Dense chords and a powerful percussive attack are the well-executed game plan for the ...
Southern Excursion Quartet: Trading Post
by Jerry D'Souza
The Southern Excursion Quartet, featuring saxophonist Don Aliquo, drummer Tom Giampietro, pianist Michael Jefry Stevens and bassist Jonathan Wires, moved from different parts of the United States to find their home in the Tennessee and Mississippi areas. The geographical relocation was conducive to a meeting of the four, who went on to find common musical ground. ...
John Hebert
by A. Henkin
John Hebert is the answer to the sad trivia question, Who is the last bassist to play with pianist Andrew Hill? That final performance came on Mar. 29th, 2007 at Trinity Church in downtown Manhattan in a trio with drummer Eric McPherson; Hill would die just over three weeks later. For the New Orleans-born Hebert, being ...
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