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Sean Nowell: The Seeker
by Chris May
It would be foolish to describe saxophonist Sean Nowell as a 21st century schizoid tenor man, but two distinct strands characterize the New York-based player's work. On the one hand, Nowell is active in funk and post-fusion styles, with the Kung-Fu Masters and his own MonAtomic groups, among other line-ups. On the other hand, he's a ...
Rez Abbasi: Things To Come
by Mark F. Turner
Pakistani/American guitarist Rez Abbasi has been a part of the emerging growth of South Asian jazz musicians which includes the very noted names of pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and guitarist Fareed Haque, and celebrated recordings Apti (Innova Recordings, 2009) and Kinsmen (Pi Recordings, 2008). A brilliant technician, Abbasi is noted for ...
Horace Tapscott: The Dark Tree
by Chris May
The year of writing this review, 2019, is the thirtieth anniversary of the recording of The Dark Tree. It is also the twentieth anniversary of the passing of Horace Tapscott, a forgotten master of politically engaged African American spiritual jazz. The album, which is among Tapscott's finest, is crying out for a 2019 anniversary reissue. STOP ...
Amiri Baraka: Perspectives on Music and Race
by Lloyd N. Peterson Jr.
Amiri Baraka is the author of the insightful and comprehensive book, Blues People. It is a book that has opened many minds and readers to the African American Diaspora along with the history and roots of African American music. Baraka has now published a new book of essays titled, Digging (The Afro-American Soul of American Classical ...
Second Sight: Flying With The Comet
by Warren Allen
Some jazz fans have come to look down on the '80s as a lost decade. A band like Second Sight shows just how wrong they can be, with the reissued Flying with the Comet (1986) thrumming with intensity. The brainchild of pianist and composer John Esposito, the band refuses to choose between tradition and innovation. All ...
Trio 3 + Geri Allen: At This Time
by Nic Jones
The trio of Lake, Workman and Cyrille is, by now, seasoned in the right way. All three players are relative veterans and the depth of their shared musical understanding is obvious in everything they do. This time, Geri Allen's pianist's skill is an amalgam of Paul Bley and Andrew Hill harmonically speaking, though it's only fair ...
Lee Morgan: Tom Cat
by Matt Marshall
Lee Morgan Tom Cat Blue Note / Music Matters 2008 (1980) Tom Cat continues Music Matter's program of re-releasing generally unavailable Blue Note sessions from the 1950s and 1960s on 45-rpm vinyl double albums. As Michael Cuscuna explains in the liner notes from the original 1980 release, Tom Cat was ...
Ottawa Jazz Festival 2009: Days 1-3, June 25-27, 2009
by John Kelman
Days 1-3 | Days 4-6 John Stetch TV Trio / Dave Douglas Brass Ecstasy / Roberta Gambarini Toshiko Akiyoshi Trio / Jimmy Cobb's So What Band; S.M.V. The Botos Brother / Trombone Shorty and Orleans Avenue / Al GreenTD Canada Trust Ottawa International Jazz Festival Ottawa, Ontario, Canada ...
Lucky 7's: Pluto Junkyard
by Troy Collins
The brainchild of trombonists Jeb Bishop and Jeff Albert, the Lucky 7's are a consummate example of post-Vandermark Chicago-based collectivism. Bishop's longstanding work with fellow artists such as Rob Mazurek, Ted Sirota and Ken Vandermark informs his inside-outside approach, lending a forward thinking but historically aware sensibility to this versatile mid-sized ensemble. A New Orleans native, ...
New Jazz It Up! Episode Features: Chico Hamilton, Grace Kelly, Vintage Rahsaan Roland Kirk, Radio Deejay Russ Davis, and Coverage of the Freddie Hubbard Memorial at St. John the Divine
New York, NY -- From elder statesman Chico Hamilton to rising star Grace Kelly, the current episode of Jazz it Up! bristles with a cool edge that tempers the warmth of summer. On one of her two featured numbers, alto saxophonist Kelly arranges Bill Withers' “Aint No Sunshine" into a jazz showcase; during the second, she ...
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