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Fire Music: The Story of Free Jazz

by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
A Conversation with Amiri Baraka

by Lazaro Vega
From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho

by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Black History Month Special Hour of Poetry & Jazz

by Maurice Hogue
The salute to Black History Month continues in this episode with an entire hour devoted to poetry and music, as well as more from Christian McBride's The Movement Revisited. New albums sampled are from New Orleans' trio Nutria, microtonal keyboardist Giorgi Mikadze from Georgia (the country of Georgia), trumpeter Susana Santos Silva and her band Impermanence, ...
Results for pages tagged "Amiri Baraka"...
Amiri Baraka

Born:
Amiri Baraka, born in 1934, in Newark, New Jersey, USA, is the author of over 40 books of essays, poems, drama, and music history and criticism, a poet icon and revolutionary political activist who has recited poetry and lectured on cultural and political issues extensively in the USA, the Caribbean, Africa, and Europe. With influences on his work ranging from musical orishas such as Ornette Coleman, John Coltrane, Thelonius Monk, and Sun Ra to the Cuban Revolution, Malcolm X and world revolutionary movements, Baraka is renowned as the founder of the Black Arts Movement in Harlem in the 1960s that became, though short-lived, the virtual blueprint for a new American theater aesthetics
The Rebel Café: Sex, Race and Politics in Cold War America's Nightclub Underground

by Duncan Heining
The Rebel Café: Sex, Race and Politics in Cold War America's Nightclub Underground Stephen R. Duncan 336 Pages ISBN: # 1421426331 John Hopkins University Press 2018 Stephen R. Duncan's The Rebel Café is both a voyage of rediscovery and a forensic re-examination of an important period in American cultural ...
Black Case Volume 1 & 11: Return From Exile

by Chris May
Black Case Volume 1 & 11: Return From Exile Joseph Jarman 146 Pages ISBN: 978-1-733723-3-4 Blank Forms Editions / After : Still 2019 The welcome reappearance after over forty years of a lost treasure of the Black Arts Movement, written by the Art Ensemble of Chicago's Joseph Jarman. Black ...
Poetry and Jazz: A Chronology

by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Salim Washington: To Be Moved to Speak

by Seton Hawkins
To audiences in Boston or New York, Salim Washington is not just a great musician, he is a community builder. Having first established the Roxbury Blues Aesthetic, then the Harlem Arts Ensemble, Washington has throughout his career carefully nurtured collectives of musicians who in turn generated irreplaceable music scenes at venues like Connolly's in Boston and ...
Presenting Problem

by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...