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Pat Metheny: From This Place
by Emmanuel Di Tommaso
Sono vari i motivi per i quali è difficile trattenere l'entusiasmo di fronte all'uscita di From This Place, ritorno su disco di Pat Metheny. Il piacere dell'attesa, innanzitutto: ben sei anni sono trascorsi dall'uscita del precedente album in studio Kin () (Nonesuch, 2014), un lasso di tempo che ai fans più appassionati sarà sembrato infinito, considerata ...
Shabaka & the Ancestors: We Are Sent Here by History
by Serena Antinucci
Siamo stati spediti qui dalla Storia inconsapevoli di ciò che sarebbe accaduto. Avevamo un compito, l'abbiamo disatteso. Avevamo uno scopo, l'abbiamo dimenticato. Abbiamo disimparato la lingua della natura, sopraffatti dal potere e dall'egemonia capitalista. Oggi siamo stati chiamati ad afferrare la mano degli spiriti antenati, che tentano di soccorrerci, indicandoci una nuova strada della creazione, originata ...
Big Bad Brötzmann Quintet: Karacho!
by Mark Corroto
Good free jazz is like a trip to a carnival with its exotic and unfamiliar sights and sounds. Even for an experienced listener, the surprise of great instant composing never grows old. A prime example is Karacho! by the befittingly named Big Bad Brötzmann Quintet. Like visiting the carnival, there are innumerable sound experiences encased within ...
Jan Maksimowicz / Dmitrij Golovanov: Thousand Seconds Of Our Lives
by John Sharpe
Saxophonist Jan Maksimowicz and pianist Dmitrij Golovanov, two of the Lithuanian jazz scene's younger generation, combine on Thousand Seconds Of Our Life, which seems to be the name of their project as well as this album. While they may not have high profiles outside of their home country, both have a number of domestic releases under ...
Tamuz Nissim: Capturing Clouds
by C. Michael Bailey
Vocalist Tamuz Nissim is in constant musical movement. The past three years have each seen a recorded release of 2017's Liquid Melodies (Self Produced), followed by 2018's Echo of a Heartbeat (Street of Stars), that very much set the stage for the present Capturing Clouds. All three recordings have in common guitarist George Nazos, whose musical ...
Win Pongsakorn: Yes, It Is!
by Jack Bowers
Although it may take a while (if ever) for Pongsakorn “Win" Lertvanitsutha to become a household name outside his native land, the twenty-nine-year-old trumpeter from Thailand makes an impressive debut on Yes, It Is!, a buoyant studio session, recorded in Italy, that makes room for a brace of guest appearances by Pongsakorn's mentor, Jim Rotondi. Besides ...
The Giving Shapes: Earth Leaps Up
by John Eyles
Two years and ten releases after Elsewhere was inaugurated, some of the label's aficionados may have thought they knew what to expect next. If that were the case, a few people could be surprised when they hear Earth Leaps Up for the first time. Formed at the Banff Centre for the Arts, in 2017, The Giving ...
Brian Scanlon: Brain Scan
by Nicholas F. Mondello
Woodwind artist Brian Scanlon has established himself as one of the most respected of the go-to players working the L.A. studio scene. His offerings in the Grammy®-winning “Big Phat Band" have lent plenty to that unit's success. In the intriguingly named Brain Scan, Scanlon moves out into the leader's spotlight with a superb ...
Erik Jekabson Sextet III: One Note At A Time
by Dan Bilawsky
By the time One Note At A Time's first two songs have finished, it's been made abundantly clear that trumpeter Erik Jekabson appreciates a groove as much as he values space. The opener—"Days of Haze"—provides an introductory shot of adrenaline in the form of a tight, funk-framed blues, and “Dusk," in contrast, looks to open vistas, ...
A Northern Code: Boundaries
by Mark Sullivan
A Northern Code is a collaboration between Norwegian guitarist Mathias Marstrander, Scottish double bassist Andrew Robb and Norwegian drummer Sigurd Steinkpf. The group balances improvisation with composition; one hallmark is the use of conceptual goals to help shape the improvisations. This is demonstrated right off the bat with opener “Slow Motion," which ably delivers on its ...
