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The MacroQuarktet: The Complete Night: Live At The Stone NYC
by Mark Corroto
Listening to The MacroQuarktet calls to mind comedians Robin Williams and Jonathan Winters. Did they warm up before an evening of improvisational comedy? Once on stage or a TV talk show, instantaneously they were 'on,' firing a superabundance of thoughts, jokes, impressions, etc at their audience. It is the same for the two improvised music sets ...
Lina Andonovska: A Way A Lone A Last
by Ian Patterson
Solo flute albums rarely clog up the world's second-hand vinyl bins. More's the pity, for the flute's sounds are timeless. In prehistoric times people played flutes made from bones and mammoth ivory--making the connection between the air inhaled and exhaled to produce music. Or sounds, for there is, and always has been, a fine line between ...
Sukyung Kim: Lilac Hill
by Friedrich Kunzmann
There is a lot to admire about Brooklyn-based pianist Sukyung Kim's debut outing, whether it be the thoroughly narrated elements forming the individual compositions, the crystalline transparency of the recording, the dexterous performances by all involved, or the equal amount of innovation and traditional savoir-faire which defines these five original cuts. At just over half an ...
Collocutor: Continuation
by Gareth Thompson
Viewing the CV of musician-composer Tamar Osborn is like watching a tapestry unfurl in bewildering detail. Having started out on clarinet and saxophone, performing mostly classical works, she later studied rhythms and ragas in India, then collaborated with a vast array of talents, often fusing Afrobeat and Ethio-funk into jazzy paradigms. She was part of the ...
Víkingur Ólafsson: Debussy • Rameau
by C. Michael Bailey
Icelandic pianist Víkingur Ólafsson had a recording career before signing with the German monolithe Deutsche Grammophon, having released three recordings for his own label, Dirrindí. In 2016, Ólafsson signed with DG, releasing the next year Philip Glass -Piano Works. It was an interesting debut for the august label, featuring Philip Glass's Études, Opening" from Glassworks, and ...
Joshua Espinoza: Journey Into Night
by Angelo Leonardi
"Sento che la mia arte abita lo spazio tra jazz e musica classica. Sono innamorato di compositori come Debussy, Ravel, Chopin ma cerco la libertà di Art Tatum e Bill Evans." Con queste parole il giovane pianista di Baltimora, Joshua Espinoza, si presenta in occasione del debutto in trio con Mikel Combs al contrabbasso e Jaron ...
ReDiviDeR: Mere Nation
by Ian Patterson
It may be disappointing to enigmatologists that there are no palindromes or obvious anagrams from ReDiviDeR on its third Diatribe Records release, following Never Odd Or Even (2011) and I Dig Monk, Tuned (2013). Musicophiles, however, should be delighted, for like its predecessors, Mere Nation is a colorful box of delights. Rambunctious, brooding and tender in ...
Dr Bekken: Blues
by Jim Worsley
Tor E Bekken is also known in the music world as Dr Bekken. As well, he is known as a distinctive pianist who unearths the blues like a bloodhound on a case. Over the past several years, he has unrooted blues from their deep origins and, consequently, replanted them in fertile ground with even more room ...
Marshal Herridge: Chapter One
by Jerome Wilson
Marshal Herridge is a young bassist from Montreal who here releases his first CD, a set of energetic mainstream jazz, with a band containing three local musicians: guitarist Sam Kirmayer, pianist Andre White and drummer Guillaume Pilote. Herridge wrote all the music using a variety of familiar approaches. HerridgeIn" has a brisk boppish melody ...
Marshal Herridge: Chapter One
by Jack Bowers
Chapter One, the debut recording from bassist Marshal Herridge, showcases his admirable Montreal-based quartet performing nine of the leader's bright and limber compositions and arrangements. Besides keeping splendid time (his sonorous bass is recorded so prominently that not a beat is missed or undervalued), Herridge solos eloquently in the manner of his musical heroes, Paul Chambers ...





