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8

Article: Album Review

The MacroQuarktet: The Complete Night: Live At The Stone NYC

Read "The Complete Night: Live At The Stone NYC" reviewed by Mark Corroto


Listening to The MacroQuarktet calls to mind comedians Robin Williams and Jonathan Winters. Did they warm up before an evening of improvisational comedy? Once on stage or a TV talk show, instantaneously they were 'on,' firing a superabundance of thoughts, jokes, impressions, etc at their audience. It is the same for the two improvised music sets ...

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Article: Album Review

Lina Andonovska: A Way A Lone A Last

Read "A Way A Lone A Last" reviewed by Ian Patterson


Solo flute albums rarely clog up the world's second-hand vinyl bins. More's the pity, for the flute's sounds are timeless. In prehistoric times people played flutes made from bones and mammoth ivory--making the connection between the air inhaled and exhaled to produce music. Or sounds, for there is, and always has been, a fine line between ...

9

Article: Album Review

Sukyung Kim: Lilac Hill

Read "Lilac Hill" reviewed by Friedrich Kunzmann


There is a lot to admire about Brooklyn-based pianist Sukyung Kim's debut outing, whether it be the thoroughly narrated elements forming the individual compositions, the crystalline transparency of the recording, the dexterous performances by all involved, or the equal amount of innovation and traditional savoir-faire which defines these five original cuts. At just over half an ...

1

Article: Album Review

Collocutor: Continuation

Read "Continuation" reviewed by Gareth Thompson


Viewing the CV of musician-composer Tamar Osborn is like watching a tapestry unfurl in bewildering detail. Having started out on clarinet and saxophone, performing mostly classical works, she later studied rhythms and ragas in India, then collaborated with a vast array of talents, often fusing Afrobeat and Ethio-funk into jazzy paradigms. She was part of the ...

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Article: Album Review

Víkingur Ólafsson: Debussy • Rameau

Read "Debussy • Rameau" reviewed by C. Michael Bailey


Icelandic pianist Víkingur Ólafsson had a recording career before signing with the German monolithe Deutsche Grammophon, having released three recordings for his own label, Dirrindí. In 2016, Ólafsson signed with DG, releasing the next year Philip Glass -Piano Works. It was an interesting debut for the august label, featuring Philip Glass's Études, “Opening" from Glassworks, and ...

1

Article: Album Review

Joshua Espinoza: Journey Into Night

Read "Journey Into Night" reviewed by Angelo Leonardi


"Sento che la mia arte abita lo spazio tra jazz e musica classica. Sono innamorato di compositori come Debussy, Ravel, Chopin ma cerco la libertà di Art Tatum e Bill Evans." Con queste parole il giovane pianista di Baltimora, Joshua Espinoza, si presenta in occasione del debutto in trio con Mikel Combs al contrabbasso e Jaron ...

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Article: Album Review

ReDiviDeR: Mere Nation

Read "Mere Nation" reviewed by Ian Patterson


It may be disappointing to enigmatologists that there are no palindromes or obvious anagrams from ReDiviDeR on its third Diatribe Records release, following Never Odd Or Even (2011) and I Dig Monk, Tuned (2013). Musicophiles, however, should be delighted, for like its predecessors, Mere Nation is a colorful box of delights. Rambunctious, brooding and tender in ...

2

Article: Album Review

Dr Bekken: Blues

Read "Blues" reviewed by Jim Worsley


Tor E Bekken is also known in the music world as Dr Bekken. As well, he is known as a distinctive pianist who unearths the blues like a bloodhound on a case. Over the past several years, he has unrooted blues from their deep origins and, consequently, replanted them in fertile ground with even more room ...

4

Article: Album Review

Marshal Herridge: Chapter One

Read "Chapter One" reviewed by Jerome Wilson


Marshal Herridge is a young bassist from Montreal who here releases his first CD, a set of energetic mainstream jazz, with a band containing three local musicians: guitarist Sam Kirmayer, pianist Andre White and drummer Guillaume Pilote. Herridge wrote all the music using a variety of familiar approaches. “HerridgeIn" has a brisk boppish melody ...

3

Article: Album Review

Marshal Herridge: Chapter One

Read "Chapter One" reviewed by Jack Bowers


Chapter One, the debut recording from bassist Marshal Herridge, showcases his admirable Montreal-based quartet performing nine of the leader's bright and limber compositions and arrangements. Besides keeping splendid time (his sonorous bass is recorded so prominently that not a beat is missed or undervalued), Herridge solos eloquently in the manner of his musical heroes, Paul Chambers ...


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