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Article: Album Review

Rachel Caswell: We're All in the Dance

Read "We're All in the Dance" reviewed by Angelo Leonardi


È una vocalist per un pubblico di nicchia, Rachel Caswell, ma i percorsi che portano al successo internazionale sono complessi e talvolta misteriosi e non sempre riflettono il talento individuale. Al suo promettente debutto discografico del 2003 (Some Other Time) è seguita una lunga parentesi didattica, che l'ha tenuta per oltre un decennio lontana dai riflettori. ...

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Article: Album Review

Roxy Coss: Quintet

Read "Quintet" reviewed by Paul Rauch


At times, saxophonist Roxy Coss can appear to be a whirlwind. Over the past decade, Coss has firmly established herself as a saxophonist, bandleader, composer, and activist. She has toured extensively, most notably with trumpeter Jeremy Pelt. She founded Women In Jazz Organization (WIJO) to combat misogyny in jazz culture, and create gender equity in terms ...

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Article: Album Review

Tom Pierson: Last Works

Read "Last Works" reviewed by Friedrich Kunzmann


Ominously slow, swinging cymbal stabs guide low left- hand bass lines played on black and white for the menacing opening cut of this double disc set by Japan-based composer and arranger Tom Pierson, curiously titled Last Works. Whimsical improvisations on muted trumpet to the right and right-hand piano runs on the left, bring some ease to ...

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Article: Album Review

Resavoir: Resavoir

Read "Resavoir" reviewed by Gareth Thompson


In the early 1950s, David Axelrod was hanging out in a Los Angeles park when a group of thugs mistook him for their target and sliced the musician with a knife. It feels apt to mention this in tandem with Resavoir's debut album for two reasons. Firstly, the shimmering spirit of Axelrod's music is a clear ...

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Article: Album Review

Catherine Lamb: Point / Wave

Read "Point / Wave" reviewed by John Eyles


An indication of Catherine Lamb's versatility is that her last Another Timbre appearance was on Viola Torros (2018) in the company of fellow violist Johnny Chang, the two playing music by and for the eponymous enigmatic female musician who was born sometime in the late Vedic period, somewhere in the Indus valley region. In contrast, Lamb's ...

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Article: Album Review

Sam Rivers: Emanation

Read "Emanation" reviewed by John Sharpe


This unissued 1971 live date from the Jazz Workshop in Boston is the first in a projected eight volume series sourced from the personal archive of the multi-instrumentalist Sam Rivers, who died in 2011. It captures Rivers with his trio of the period, completed by bassist Cecil McBee and drummer Norman Connors, over two freewheeling sets. ...

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Article: Album Review

Soren Bebe: Echoes

Read "Echoes" reviewed by Chris Mosey


Danish pianist Søren Bebe plays a melancholy, minimalistic music almost shorn of rhythm. It is gentle and flowing and easy to get lost in. When one of his pieces ends, it can be like waking from a dream. “But is it jazz?" The jury is still out on that one and will be ...

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Article: Album Review

Veronica Swift: Confessions

Read "Confessions" reviewed by Mike Jurkovic


A born be-bopper, it's literally impossible not to love the energy that 25 year old Veronica Swift brings to her game. Soulfully infused with an infectious passion for jazz past and future, she is building a grand foundation for a long and colorful career, guaranteeing plenty of great performances and listenings along the way.

Article: Album Review

Wayne Wallace Latin Jazz Quintet: The Rhythm of Invention

Read "The Rhythm of Invention" reviewed by Angelo Leonardi


Da qualche tempo anche il latin jazz di matrice afro-cubana cerca nuove forme d'espressione, pur rispettando i suoi caratteri tipici. In questo nuovo lavoro il quintetto di Wayne Wallace amplia quanto iniziato nel precedente Canto America dove coniugava ritmi del folklore caraibico e motivi del tipico latin jazz con orchestrazioni per archi. La ...

Article: Album Review

Stefano Maurizi: Native Colors

Read "Native Colors" reviewed by Neri Pollastri


Approda per la prima volta alla registrazione in solitudine il pianista fiorentino Stefano Maurizi, e lo fa raccogliendo una serie di piccoli pezzi (uno solo raggiunge i cinque minuti) tutti di atmosfera molto intima, che compongono assieme una performance elegante ed equilibrata fin dalla durata (circa quarantadue minuti, una rarità in un'epoca in cui l'ipertrofia quantitativa ...


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