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Jalen Baker: This is Me, This is Us
by Troy Dostert
Joining the ranks of young vibraphonists with skills galore, Jalen Baker brings a lot to the table on his debut record, This is Me, This is Us. Like Joel Ross, Sasha Berliner and Warren Wolf—the last of whom provides liner notes for the album—Baker's ambition goes beyond instrumental virtuosity. His compositional aims are just as impressive, ...
Sheila Jordan: Comes Love: Lost Session 1960
by Pierre Giroux
Sheila Jordan falls into that unique category of vocalist whose voice, once heard, is unlikely to be mistaken for anyone else. Now at ninety-two, she continues to perform regularly, if not frequently, most recently in August 2021 at Jazz In The Park in Peekskill New York. This release entitled Comes Love: Lost Session 1960 was recorded ...
Apartment House: John Cage Number Pieces
by John Eyles
Even though it is only based on two of the label's previous releases—Wandelweiser und so weiter (2012) and Morton Feldman Piano (2019)— the reputation of Another Timbre box sets is enviably high. The music they contain, their sound quality, information, artwork and packaging all contribute to the fact that these albums are highly rated and sell ...
Sam Gendel: Fresh Bread
by Emmanuel Di Tommaso
Dare vita a un disco di 52 tracce realizzate nel corso di otto anni, mettendo insieme registrazioni casalinghe e pezzi registrati dal vivo che attraversano vari generi e stili compositivi per oltre tre ore di musica. Potrebbe sembrare una follia nell'epoca della realtà istantanea in cui tutto accade ora e subito ed è destinato a durare ...
Dave Zinno Unisphere: Fetish
by Jack Bowers
Dave Zinno's New York-based Unisphere is a quintet/sometime sextet that is rhythmically sound, melodically smooth and anchored by his assertive bass lines. The group employs a splendid two-horn front line (tenor saxophonist Mike Tucker, trumpeter Eric Benny Bloom) and adds a third, trombonist/arranger Rafael Rocha, on the freewheeling closer, “Meu Fraco e Cafe Forte" (in English, ...
Stéphane Payen, Ingrid Laubrock, Chris Tordini, Tom Rainey: All Set
by Mark Corroto
The contrasts heard on All Set are both its center and its strength. The music, contributed by saxophonists Stéphane Payen (straight alto saxophone) and Ingrid Laubrock (tenor saxophone) is inspired by Milton Babbitt's third stream serial composition “All Set" which was performed in 1957. While that piece was through- composed, these nine compositions stand out for ...
Graham Dechter: Major Influence
by Dan Bilawsky
What do you get when you combine a million-dollar feel, sterling technique, clear-eared chording, warm and sophisticated single-note lines and impeccable taste? Graham Dechter, of course. As a longtime member of The Clayton-Hamilton Jazz Orchestra and first-call sideman for the West Coast elite, Dechter has earned his place on the scene. And with his first two ...
Alisa Amador: Narratives
by Kyle Simpler
Artists frequently discover something about themselves during the process of creation, and Boston-based musician Alisa Amador is no exception. In her case, the songwriting process allows her to investigate her thoughts and feelings until she discovers what the song will be about. With Narratives, she opens up and allows listeners to come into her inner world ...
Gerry Eastman Trio: Trust Me
by Jack Bowers
Trust Me embodies more than an hour of tasteful contemporary jazz by a decisively hip guitar/organ/drums trio led by New York-bred Gerry Eastman on guitar with Greg Lewis at the Hammond B3 and Taru Alexander manning the drum set. The program consists of eight of Eastman's original compositions, each of which is polished and credible but ...
Joe Harriott: Free Form & Abstract Revisited
by Mark Corroto
Call it partisanship or maybe musical chauvinism, but North American audiences have traditionally had little appreciation for jazz musicians from the United Kingdom or, for that matter, Europe. Rewind back to 1961, and explain why Americans were not hip to the Joe Harriott Quintet? His two releases, Free Form, released in 1961, and Abstract, in 1963, ...
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