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Albert Ayler: La Cave Live-Cleveland 1966-Revisited
by Chris May
Cleveland club La Cave, a grungy cellar which could accommodate around two hundred people, opened as a folk venue in 1962, transitioned into rock mid-decade, and closed in 1969. Along the way, in amongst such counterculture flagbearers as the Velvet Underground and The Fugs, La Cave booked a few of the bad boys of so-called “new ...
The Shuffle Demons: All In
by Kyle Simpler
Bands such as Tower of Power and the Average White Band are known for their hard-driving blend of funky soul mixed with rock and jazz elements. The Canadian-based group, Shuffle Demons, takes these influences and keeps the funk alive while emphasizing their own jazz roots as well. Their tenth album, All In, features a non-stop combination ...
Spinifex: Beats The Plague
by Mark Corroto
Finally, a band of brothers retaliates against the coronavirus. The scientists and the anti-vax antipodes have had their day. Time for some partisan guerrilla action. Okay, maybe just a pipe dream, but these nine tracks by the Amsterdam based Spinifex deliver a much needed counterattack to this diabolical infective agent. Recorded in June of ...
Futari: Beyond
by Neri Pollastri
Tra le molte collaborazioni della pianista giapponese Satoko Fujii, particolarmente singolare e riuscita è questa con la connazionale vibrafonista Taiko Saito, assieme alla quale ha dato vita al duo Futari. Le due artiste si conoscono dalla metà degli anni 2000, quando si incontrarono a Berlino in occasione di un concerto della Fujii e dove la Saito ...
Remy Le Boeuf's Assembly of Shadows: Architecture of Storms
by Angelo Leonardi
Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare ...
Stan Tracey Trio: The 1959 Sessions
by Chris May
Sonny Rollins summed up the outsize talent of British pianist Stan Tracey in a remark he made sometime in the early 1960s. Tracey was then the house pianist at Ronnie Scott's Jazz Club, where Rollins was playing a season. “Does anyone over here realise how good this guy is?" Rollins asked the audience. ...
Bévort 3: Live 2020-2021
by Ian Patterson
Twenty-five years on from her debut, A Live (Music Mecca, 1997), recorded at Copenhagen's Jazzhaus, Danish saxophonist Pernille Bévort returns with another live outing. Live is only her second live recording as leader in that time, though 2021 did see the archival releases, in EP format, of a quartet performance from 1999 and another of Bévort ...
Matt Ulery's Delicate Charms: Live at the Green Mill
by Troy Dostert
One of the central figures of Chicago's thriving jazz scene, bassist Matt Ulery has cultivated fruitful relationships with a core of compatriots who embody the grit and beauty of the music coming out of the Windy City. He maintains a host of projects, one of the foremost being Delicate Charms, a group that released its self-titled ...
Ben Thomas (US): Eternal Aporia
by Jack Bowers
They say it takes two to tango. On Ben Thomas' new album, Eternal Aporia ("uncertainty; doubt"), it takes at least three, and sometimes half a dozen. That's not a bad thing, as Thomas' splendid core trio is fleshed out on three numbers by cellist Gretchen Vanover and on two others by Vanover, violinist Brandon Vance and ...
Sean Fyfe: Late Night
by Pierre Giroux
Sean Fyfe is a peripatetic Canadian jazz pianist who has vagabonded his musical way from Vancouver Island to Montreal to New York City and now London. He has not forgotten the friends he met along the way and so his cohorts for the session are some buddies from Montreal: guitarist Sam Kirmayer, bassist Adrian Vedady and ...
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