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Massimo Colombo, Peter Erskine, Chuck Berghofer: Electric Parker
by Jim Worsley
While mostly under the radar, Massimo Colombo is surely one of Europe's finest talents. The Italian pianist and arranger has many works to his credit, including his exceptional tributes to Bud Powell and Weather Report, Powell To The People (Jazzland DZ, 2018) and Acoustic Weather (Self-produced, 2019). Colombo now reimagines the genius of Charlie ...
Marc Copland Quartet: Someday
by Dan McClenaghan
Marc Copland is a former saxophonist who found his instrument artistically confining for the purposes of expressing his vision. So he called on his childhood piano training (synaptic memories intact) to make the switch to the keyboard. The results have been magic. His artistry with the 88s is second only to the late Bill Evans, and ...
Christopher Lucas Wilson: Solemn Moments
by Hrayr Attarian
Pianist Christopher Lucas Wilson demonstrates his sophisticated style and vibrant sense of swing on his third release as a leader, the delightful Solemn Moments. Informed by the turmoil of the pandemic, the intimate set was recorded in Wilson's hometown of Detroit. Evenly split between covers and originals, the album boasts both thematic cohesiveness and engaging variation. ...
Kirk Knuffke / Michael Bisio: For You I Don’t Want To Go
by Mark Corroto
The oft-quoted description of a sitting meditation practice, “It's simple but not easy," might be a fitting characterization of this duo performance by cornetist Kirk Knuffke and bassist Michael Bisio. The equanimous and imperturbable approach the pair apply to this single 36-minute composition/recording dares one to disregard the high level of musicianship employed. Don't be drawn ...
Sergio Armaroli, Roger Turner: Dance Steps
by Neri Pollastri
Nell'intervista dello scorso anno Sergio Armaroli ci parlò dell'interessante rapporto artistico che aveva con Roger Turner, batterista e percussionista inglese che da oltre cinquant'anni esplora l'improvvisazione e la musica creativa. Quella collaborazione può essere ascoltata su questo disco edito dalla Leo Records, nel quale i due dialogano in nove brani di lunghezza e clima diversi, sempre ...
Bog Bodies: Bog Bodies
by Chris May
Formed in 2015, Bog Bodies is an international trio comprising tenor saxophonist Robert Stillman, guitarist Anders Holst and drummer Sean Carpio. The band moves freely between the composed and the improvised, the abstract and the figurative, and the acoustic and the electronic. Is it jazz? Is it La Monte Young-inspired drone? Is it noise? Is it ...
Sam Taylor: Let Go
by Pierre Giroux
Tenor saxophonist Sam Taylor is a man with a purpose. He is committed to sharing the joy music brings him with like-minded listeners. For this album, he brought together a number of his heroes including trumpeter Terell Stafford, pianist Jeb Patton, bassist Neal Miner and drummer Willie Jones III at one of jazz's most iconic recording ...
Avram Fefer Quartet: Juba Lee
by Mark Corroto
Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically ...
The Harlem Gospel Travelers: Look Up!
by Angelo Leonardi
Gli Harlem Gospel Travelers sono una “creatura" di Eli “Paperboy" Reed (Eli Husock), un cantante, cantautore, chitarrista e produttore oggi quarantenne che ottenne un buon successo commerciale nel 2010 col singolo “Come and Get It," tratto dall'omonimo album. Un po' come il produttore inglese Mark Ronson è un appassionato di R&B e Soul Music (ma anche ...
Noam Lemish: Twelve
by Jack Bowers
The number Twelve has several explicit meanings on Israeli-born composer/pianist Noam Lemish's eighth album as leader of his own ensemble, which is twelve members strong (well, thirteen on the first two numbers, on which Laura Swankey adds wordless vocals, and twenty-five if one counts the thirteen-member chorus on Track 3). Returning to the basic premise, Lemish ...
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