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Hasaan Ibn Ali: Reaching For The Stars: Solos/Duos/Trios
by Doug Collette
Since its inception in 2010, Omnivore Recordings has applied a most stringent set of standards to its archival efforts devoted to the disparate likes of Merle Haggard, Maynard Ferguson and the Posies (and no less so in the occasional preparation and release of new content such as Americana master Peter Case). The label has ...
NoRiPlay: Session 1
by Angelo Leonardi
Merita attenzione l'esordio del quartetto NoRiPlay, che vede in front line la cantante Sarah Jane Ghiotti--vincitrice dell'ultimo Premio Piero Ciampi per l'album Non siamo tutti eroi -con Simone Migani al pianoforte, Mauro Mussoni al contrabbasso, Pasquale Montuori alla batteria, più tre pregevoli ospiti. Il nome del gruppo è l'acronimo di Nord Rimini Play e ...
Philippe Cote / Francois Bourassa: Confluence
by Dan McClenaghan
Confluence, on its surface, may come off as a minor work of art. It is the juxtaposition of just two instruments--saxophone and piano--braiding sounds together in what seems an improvisational mode. Francois Bourassa stays in the piano chair. Philippe Cote's seating arrangement shifts between tenor and soprano saxophones, piano and prepared piano. But the limitation of ...
Champian Fulton: Meet Me at Birdland
by Edward Blanco
The young and talented pianist Champian Fulton presents another enchanting album recorded live at New York's Birdland dinner jazz club simply titled Meet Me at Birdland, celebrating twenty years of performing in the Big Apple; playing the piano and lending her sultry vocals to a host of uncommon standards. Since arriving in New York in 2003, ...
Stacey Kent: Summer Me, Winter Me
by Neil Duggan
With her album sales measured in millions, Stacey Kent is one of the great success stories in modern jazz. Her multi-lingual abilities allow her to record in various languages and she has appeared in over fifty countries. Her appeal is global and it is her vocal ability which has taken her to these heights. Her voice ...
Albert Ayler: More Lost Performances Revisited
by Chris May
A state-of-the-art sonic restoration of obscure but historically important Albert Ayler material by Switzerland's ezz-thetics label, which with its parent label, Hat Hut, has been creating an audiophile archive of Ayler recordings with the support of his estate since 1978. All too often, “more" in an album title means “Beware: barrel scraping in ...
Don Cherry: Where Is Brooklyn? & Eternal Rhythm - Revisited
by Stefano Merighi
Nel percorso artistico di molti, è decisivo il rapporto tra emancipazione ed auto-affermazione. Il jazz moderno è spesso testimone di una dialettica feconda tra individualismo e trama collettiva, ma è dirimente il tema dell'originalità. “Se sei come tutti gli altri, a che serve il jazz?," diceva spesso Monk. E un vero “percorso," costellato da innumerevoli stazioni, ...
Vince Guaraldi: A Charlie Brown Thanksgiving
by James Aren
Just in time for Thanksgiving, the people at Lee Mendelson films are serving up a fresh take on some old favorites. The soundtrack to a A Charlie Brown Thanksgiving has been released for the first time, to celebrate the 50th anniversary of the special. Vince Guaraldi's voice is the first sound on the album. ...
Lonnie Liston Smith: Jazz Is Dead 17
by Richard J Salvucci
If someone has not released a recording in twenty five years, it must be a special occasion. Lonnie Liston Smith went out west, met a Fender Rhodes piano and, voila, conjured up the '70s again. So, technology and memory presumably explain the appearance of this recording, part of the ironically named Jazz is Dead label's series, ...
Konrad Agnas: Rite of Passage
by Alberto Bazzurro
Un jazz che attraversa varie acque, sempre--si direbbe--con la bussola ben orientata, è quanto ci propone questo album inciso nell'ottobre 2021 dal quartetto diretto dal trentatreenne batterista svedese Konrad Agnas (secondo nome Amadeus, come già qualcun altro...). La musica che vi si ascolta non si lancia in particolari voli pindarici (o salti nel vuoto, che sono ...
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