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Article: Album Review

Marysia Osu: Harp, Beats & Dreams

Read "Harp, Beats & Dreams" reviewed by Chris May

by Chris May

Who knows how the jazz harp paradigm might have evolved had the instrument's most adventurous twentieth-century player, Detroit-born Dorothy Ashby, lived beyond her premature passing in 1986. Since then, most American jazz harpists have stuck pretty closely to the neo-classical glissandos and block chords-based style established by Alice Coltrane. New York's Brandee Younger is among the ...

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Article: Album Review

Bevan Manson featuring Tierney Sutton with The Hollywood Studio Orchestra: Talking to Trees

Read "Talking to Trees" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Bevan Manson is an artist who has a creative duality. As a pianist, composer/arranger and educator, he's been successful in classical and jazz environments. With Talking to Trees, Manson provides an array of both originals and jazz standards, most with an arboreal tint, as the title indicates. The work is a validation that his pen, guiding ...

Article: Album Review

Julieta Eugenio: Stay

Read "Stay" reviewed by Angelo Leonardi

by Angelo Leonardi

Dopo la cilena Melissa Aldana, s'impone a New York un'altra giovane sassofonista sudamericana, l'argentina Julieta Eugenio, di un anno e qualche mese più giovane. Come già fece Melissa nel 2010 con l'album Free Fall anche Julieta ha debuttato con un pianoless trio (Jump, Greenleaf 2022), organico che ora ripropone con gli stessi partner, ...

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Article: Album Review

Jihye Lee Orchestra: Infinite Connections

Read "Infinite Connections" reviewed by Jack Bowers

by Jack Bowers

Some eighty-odd years ago a handful of trailblazers led by saxophonist Charlie Parker and trumpeter Dizzy Gillespie changed the vocabulary of jazz, introducing bebop as a successor to trad jazz and swing and radically transforming the music's landscape and perspective. Their terminology remained pretty much intact for a number of years, with partisans choosing a path ...

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Article: Album Review

John Fedchock: Justifiably J.J.

Read "Justifiably J.J." reviewed by Pierre Giroux

by Pierre Giroux

The accomplished trombonist John Fedchock has released Justifiably J.J., a heartfelt tribute to one of the most innovative figures in jazz, trombonist J.J. Johnson on the occasion of his centennial. Recorded live at The Jazz Kitchen, Indianapolis, Indiana, on March 3, 2024 (Johnson's hometown), Fedchock was accompanied by three top players: pianist Steve Allee, bassist Jeremy ...

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Article: Album Review

Cathy Segal-Garcia: Social Anthems - Volume 2

Read "Social Anthems - Volume 2" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Los Angeles-based Renaissance woman Cathy Segal-Garcia is well-known as an innovator, trailblazer and an artist who sets her own artistic paths. As a vocalist, composer/arranger, broadcaster, educator and more, she has never shied away from risk. Social Anthems, Vol. 2 follows the first volume which also was a production with socially conscious themed material. With this ...

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Article: Album Review

Lady Blackbird: Slang Spirituals

Read "Slang Spirituals" reviewed by Gareth Thompson

by Gareth Thompson

In the aftermath of George Floyd's killing in 2020, the relatively unknown Marley Munroe dropped a cover of Nina Simone's 1966 song “Blackbird." Having adopted the title into her new stage name of Lady Blackbird, she took sombre pride in seeing this version chime with a fiercely engaged Black Lives Matter community. This came purely by ...

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Article: Album Review

Bobby Wellins Sextet: Homage To Caledonia

Read "Homage To Caledonia" reviewed by Jack Kenny

by Jack Kenny

Bobby Wellins said about the composition of “The Culloden Moor Suite:" “It was something that came to me after reading John Prebble's book about the Battle of Culloden and the way he described events leading up to it and the dreadful aftermath... I wanted to capture, not just the terrible sadness that must have resulted from ...

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Article: Album Review

Dhruv: Voyage 2

Read "Voyage 2" reviewed by Ian Patterson

by Ian Patterson

Nine years after the genre-busting Voyage (Wah Wah Records, 2015), Indian guitar/composer Dhruv Ghanekar returns with the second leg of his ongoing journey of musical discovery. Not that Ghanekar has been idle in the interim, with compositional credits to soundtracks for a host of films and documentaries. Still, it feels like too long a wait between ...

Article: Album Review

WHO Trio: Live At Jazz Festival Willisau 2023

Read "Live At Jazz Festival Willisau 2023" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Ci sono molti modi per affrontare/reinterpretare standard e songs, recitano le accurate note di copertina, ma affrontare Duke Ellington richiede uno step ulteriore, pena lo scivolare nel deja vu, nel già sentito, tra stereotipi o stravolgimenti fuori luogo. WHO Trio, formazione che da oltre venticinque anni scandaglia i meandri della libera improvvisazione e dei suoi legami ...


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