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Mike McClelland Rm 210: You'll Hear It: The Music of Bob Fenton
by Pierre Giroux
The Mike McClelland Quartet in this release has adopted the title of Mike McClelland Rm 210, led by McClelland on drums and joined by a stellar trio of Toronto musicians, including Mike Murley on tenor and soprano saxophones, Reg Schwager on guitar, and bassist Neil Swainson. The band pays a heartfelt tribute to pianist and composer ...
Eugenia Choe: So We Speak
by Dan McClenaghan
New York-based pianist Eugenia Choe's first two trio albums on SteepleChase Records, 2016's Magic Light (review here) and 2018's Verdfant Green (review here), featured her trio with bassist Danny Weller and drummer Alex Wyatt. For her third album release, So We Speak, Choe goes with a trio once again, this time teaming with vibraphonist Yuhan Su ...
Liz Cole: I Want to Be Happy
by Richard J Salvucci
"Unfortunately, I became entangled in a variety of day jobs and set music on the backburner for a shameful number of years. Finally, I have realized that I don't want to work in an office." How often has some frustrated artist said just those words, or some variant? The music business is a tough one, and ...
Rob Brown: Walkabout
by Fran Kursztejn
Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing ...
Matt Carmichael: Dancing With Embers
by Neil Duggan
Scottish tenor saxophonist Matt Carmichael captured attention with his first album Where Will The River Flow (Porthole Music, 2021), garnering over 8 million streams. His second album, Marram (Edition Records, 2022), developed his blend of jazz and Scottish folk, winning Best Album" in the Scottish Jazz Awards. He follows this with Dancing With Embers, which changes ...
University of Nevada-Las Vegas: Let The Good Times Roll
by Jack Bowers
If energy and enthusiasm were enough to earn a prize, the University of Nevada Las Vegas Jazz Ensemble 1 would surely have one in hand to salute its newest album, Let the Good Times Roll, a textbook lesson in buoyant and heavy-duty big-band jazz. While co-directors Dave Loeb and Nathan Tanouye enlist no fewer than seven ...
Ronny Wiesauer: Figures and Shapes
by Geno Thackara
Amidst his occasional outings with combinations of other players, Ronny Wiesauer keeps drifting back to a personal niche that is reliably comfortable and comforting. When settled in alone with a guitar, he spins pastoral meditations with the easy-flowing smoothness of a daydream--this is contemplative territory sometimes reminiscent of Ralph Towner or Pat Metheny, though without making ...
Quinn Sternberg: Pleasant Returns
by Neil Duggan
This is album number five from bassist Quinn Sternberg. It follows on from Walking On Eggshells (Mind Beach Records, 2023). A resident of Asheville, North Carolina, as of this writing, Sternberg returned to New Orleans for the recording. He had previously worked in the city for nearly a decade and notes that Having not seen or ...
Jake Hertzog: The Ozark Concerto
by Jack Bowers
Jake Hertzog's ambitious Ozark Concerto showcases his lithe electric guitar in a well-intended but only moderately successful seven-movement opus, accompanied for the most part by the 23-member Arkansas-based Ozark Jazz Philharmonic (whose existence may seem improbable but is nonetheless true). The concerto premiered in April 2024 at the UARK Jazz Festival on the Fayetteville campus of ...
Mike Boone Friends and Family: Confirmation
by Richard J Salvucci
Sometimes, a random listener intervenes to comment on music a reviewer is working on. Who are those guys?" with a tone that means, I should know this right?" Well, if you happen to be from Philadelphia, shame on you. This was some kind of party, maybe a party in a church, or as bassist Mike Boone ...


