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Dan Weiss Quartet: Unclassified Affections
by Troy Dostert
When he is not keeping company as a sideman with some of the most innovative musicians of 21st century creative jazz--a list which includes folks like pianist Matt Mitchell, saxophonist Jon Irabagon, guitarist Miles Okazaki and bassist Trevor Dunn--drummer Dan Weiss has steadily been building his own impressive set of recordings as a leader. Recently, he ...
Behn Gillece: Pivot Point
by Carl Medsker
Posi-Tone will have released 253 albums in its post-bop contemporary mainstream jazz space with Pivot Point by Behn Gillece. Maintaining freshness and avoiding formula could become a creative challenge for any such productive label, but Gillece avoids that potential pitfall through well-written songs, crafty arrangements and excellent musicianship. The sequencing of songs is also thoughtful, varying ...
Kandace Springs: Lady In Satin
by Pierre Giroux
Kandace Springs has embraced one of jazz's most emotionally charged moments, Billie Holiday's Lady In Satin (Columbia, 1958), and emerged not only unscathed but triumphant. Recorded in collaboration with Portugal's Orquestra Clássica de Espinho, this reimagined take on Lady Day's 1958 orchestral masterpiece shines with sumptuous beauty and reverence while bearing Springs' delicate emotional imprint.
Dave Bass Trio: Trio Nuevo Vol 2
by Jack Kenny
This is a splendid, joyful, intriguing album. A captivating vitality and melodic intensity marks Dave Bass's piano playing. He immerses himself in each piece, which draws the listener in and carries them forward. The tight synergy between Tyler Miles (bass) and Steve Helfand (drums) drives the music. The musical selections span diverse jazz composers: Thelonious Monk, ...
Unleashed Cooperation: Trust
by Angelo Leonardi
Al debutto discografico del 2022, 8 Years, il quintetto polacco Unleashed Cooperation fa seguire un album ancor più significativo, spingendo quel brillante post bop a integrare sperimentazione, riferimenti etnici e il toccante “slavic mood" che ha caratterizzato la musica dei padri fondatori, Krzysztof Komeda e Tomasz Stańko. L'ensemble s'è formato nel 2014 a Poznań ...
Matteo Bortone No Land's: A Tree in the Mist
by Giuseppe Segala
Un carattere ben definito e una consolidata focalizzazione stilistica contraddistinguono questo quinto lavoro come leader di Matteo Bortone, che segna un traguardo significativo nella sua vicenda artistica. Il musicista pugliese ha lavorato a lungo sulla scena parigina, dapprima studiando al prestigioso Conservatorio Nazionale Superiore, poi interagendo con una serie di musicisti francesi, il cui ...
Mary Halvorson: About Ghosts
by Mike Jurkovic
It has become more than an urban legend that Brooklyn's genius-in-residence Mary Halvorson is supernaturally up to something. Some new route around something else. On her second resiliency test of the year--her first, the fiery Bone Bells (Pyroclastic, 2025) alongside hot-house pianist Sylvie Courvoisier still rattles the playlist--Halvorson's About Ghosts tells of wide open spaces with ...
Sean Imboden: Communal Heart
by Dean Nardi
Sean Imboden's Large Ensemble Has a Communal Heart Sean Imboden was bitten by the big band bug early on. It is understandable. Both his parents were musicians, and his father taught him to play clarinet when he was in sixth grade. As a teenager, besides playing in middle school and high school bands, he sometimes sat ...
Scheen Jazzorkester & Fredrik Ljungkvist: Framat!
by Mark Corroto
Scandinavian large ensembles have much to teach their more conservative American counterparts about reinventing the jazz orchestra for the 21st century. Framåt! by Scheen Jazzorkester is a powerful affirmation of this idea. This Norwegian ensemble has consistently pushed the boundaries of large ensemble jazz, and Framåti--their tenth release since forming in 2010--is another compelling addition to ...
Keith Jarrett: New Vienna
by Jack Kenny
The evening began with extraordinary anticipation as the Golden Hall filled to capacity, creating an atmosphere of reverent expectation for what many in the audience understood would be a rare opportunity to hear one of jazz's most celebrated improvisers in an optimal acoustic environment. However, the concert's opening moments quickly revealed the dynamics that often characterize ...
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