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Marc Edwards / Weasel Walter Group: Mysteries Beneath The Planet
by Glenn Astarita
Led by avant, free-jazz drummers Marc Edwards and Weasel Walter, this ensemble pushes the envelope via a nuclear-like aerial assault that in some instances might signify a caricature of vintage, high-octane Albert Ayler fare. Nonetheless, the dual drumming attack serves as the foundation for the hornists' soaring lines, teeming with angst and a spiritual cleansing type ...
The Naked Future: Gigantomachia
by Jerry D'Souza
Arrington de Dionyso (bass clarinet, contralto clarinet) transfuses a relentless energy into his music. He is a restless character driven to manipulate sound and seek new dimensions. He wails and he squeals and he soars high into the atmosphere, but he also gets down to the plain, exposing his ability to mark a linear trajectory. Even ...
Krzysztof Komeda: Poet of the Piano
by Jakob Baekgaard
To this day, the influence of Polish composer and pianist Krzysztof Komeda (1931-1969) can be felt in the works of contemporary artists like Marcin Wasilewski and, of course, in the music of his former trumpeter, Tomasz Stanko. It isn't too much to say that Komeda transformed the landscape of European jazz by the way he re-conceptualised ...
Sun Ra: Sun Ra Featuring Pharoah Sanders & Black Harold
by Raul d'Gama Rose
Sun Ra featuring Pharoah Sanders & Black Harold is a near mythical document of the astral traveling Arkestra. There are two reasons for this. Firstly, this recording came a year before the now historic and certainly definitive Arkestra records, Heliocentric Worlds Vol. 1 & 2 (ESP, 1965) and Magic City (Saturn, 1965) that came hot on ...
Ronnie Boykins: The Will Come, Is Now
by Raul d'Gama Rose
For Ronnie Boykins, Sun Ra's bassist, The Will Come, Is Now brings to a close a remarkable sojourn that stretched from his galactic showcasing with the Arkestra at the Judson Hall performances of 1964 to an intellectual deconstruction of bebop. During the years that followed, Boykins appeared with Sam Rivers and was also heard at Ornette ...
Andratx: Live
by Mark Corroto
The Nordic jazz trio of Jonas Kullhammar, Kresten Osgood and Ole Morten Vågan is the type of super group that keeps the jazz tradition alive, not in the sense of an institution as much as a provocateur praxis. Andratx Live is its second release following a self-titled record on Moserbie in 2007. The three ...
Joe McPhee: Angels, Devils & Haints
by Kurt Gottschalk
Angels, Devils & Haints is a beautifully unusual tribute record. The project was conceived by saxophonist Joe McPhee as a tribute to the great Albert Ayler, but doesn't include any of Ayler's tunes. The lineup--McPhee (tenor and alto saxophones and pocket trumpet) with a quartet of bassists--isn't an instrumentation Ayler ever used. And yet, from the ...
The Naked Future: Gigantomachia
by Raul d'Gama Rose
There has always been a raw, sinewy character to music performed wherever and whenever Arrington de Dionyso shows up to play his deep, woodsy clarinets. The epic narratives on Gigantomachia, interpreted by de Dionyso's latest ensemble, The Naked Future, provide no exception. If anything, the music is enveloped in an energetic tension from start to finish, ...
Joe McPhee: Angels, Devils & Haints
by Lyn Horton
In 1965, Joe McPhee met Donald Ayler by chance in a New York record store. Ayler asked McPhee to join him at a rehearsal where Albert Ayler would be, but unfortunately McPhee was unable to make the rehearsal. That missed opportunity triggered a powerful response in May 2000, when McPhee invited a group of musicians to ...
Ken Vandermark: The Passion and Ascension of a Brilliant Mind
by Lloyd N. Peterson Jr.
This interview was originally published in 2006. In a world that has difficulty and attitude toward unfamiliar and creative thought, Ken Vandermark is a visionary exploring possibilities with improvisational and compositional forms.A recipient of the MacArthur Foundation Genius Grant, he has used the funding to support his interest in bringing together some of today's ...
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