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Davey Payne: Ready To Play
by Sammy Stein
Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record. Before he joined forces with Dury, who fronted The ...
Karl 2000: Karl 2000
by Karl Ackermann
Imagine a melding of saxophonist Albert Ayler's frenetic pacing and saxophonist Peter Brötzmann's raw power and the result would be the thematic nature of Karl 2000's self-titled debut. Though saxophonist Daniel Rovin is billed as this power trio's co-leader, he is clearly the musical force throughout this collection. Along with eight original improvisations, Karl 2000 includes ...
Lou Cohen: Opening the Door
by Gordon Marshall
In his cushy, classy, elegant two-story home just outside of Central Square in Cambridge, MA, Lou Cohen introduces his Symphony 5: from a laptop, jammed together fragments of elegant new music unfold, spaced out so that breath can enter in the interstices... Then the sound of roiling, rolling violins getting impacted: all is mellow and peaceful ...
Universal Indians: Nihil is Now
by Eyal Hareuveni
Universal Indians is a trio comprised of Amsterdam-based, American saxophonist John Dikeman and the resourceful and powerful rhythm section of Norwegian bassist Jon Rune Strøm and drummer Tollef Østvang, both of whom cooperate in other outfits such as the Friends & Neighbors quintet responsible for No Beat Policy (Øra Fonogram, 2011), the All Included quintet that ...
Mats Gustafsson: Share The Moment
by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
Narada Burton Greene: Live at Kerrytown House
by John Sharpe
Does the world need yet another solo piano album? Well if they are all as enjoyable as this then there would be no doubt as to the answer. Live At Kerrytown House captures veteran pianist Narada Burton Greene in pristine clarity on a well-tuned instrument, for an intimate set from Ann Arbor in 2010. Even though ...
Various Artists: 13 Miniatures for Albert Ayler
by John Sharpe
Tributes come in many forms. Most blatant is the repertory regurgitation of charts associated with the dedicatee or modern takes on that program. Then comes homage, influenced by the historical figure in question, with works in a contemporaneous style. Finally, there appears art inspired by the spirit of the honoree. It is into this last division ...
Peter Brötzmann & Jason Adasiewicz: Delaware, Ohio, September 9, 2012
by Mark Corroto
Peter Brötzmann and Jason AdasiewiczJemison AuditoriumOhio Wesleyan UniversityDelaware, OhioSeptember 9, 2012Halfway through their 13-concert North American mini-tour, German saxophonist legend Peter Brötzmann and vibraphonist Jason Adasiewicz walked into a crowded Jemison Auditorium on the Ohio Wesleyan campus. Would the pair adjust and restyle their approach to 'free jazz' for ...
Richard Andersson: UDU
by Jakob Baekgaard
The word “udu," which is the title of Danish bassist Richard Andersson's second release as a leader, has several connotations. Its primary meaning in Danish is something that is broken. A chair can be in “udu," which means it doesn't work and needs to be repaired. However, the sound of “udu" also closely resembles the pronunciation ...
Fish in Oil: Poluostrvo
by Nenad Georgievski
With the release of Fish in the Oil's debut, Polustrvo, the jazz underground in Belgrade, Serbia climbs closer towards daylight. This eclectic album explores several forms, all at once, as it eschews the easily identifiable and standard structured sounds. It seems Fish in Oil has opted for a multilayered approach, as it uses different sounds, rhythms, ...
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