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Albert Ayler: Albert Ayler 1965: Spirits Rejoice & Bells Revisited
by Mark Corroto
Being that 2020 is more than half a century since Albert Ayler (1936-70) recorded this music, the best way to approach might be through what the Zen Buddhists call Shoshin. Roughly translated as “beginner's mind," or the ability to experience things as if for the first time. Since we cannot transport ourselves back to 1965, taking ...
Panos Ghikas: Unrealtime
by Ian Patterson
The cover of Greek composer/improvisor Panos Ghikas' Unrealtime certainly piques the curiosity regarding the musical content within the grooves. The title provides just a whiff of a clue. The plot thickens with a perusal of the personnel, which reveals, that alongside Nick Roth on alto and soprano saxophones and Luis Tabuenca on percussion, the leader handles ...
Roots Magic: Take Root Among The Stars
by Neri Pollastri
Terzo disco di rivisitazione delle “magiche radici" della musica nera per opera di un quartetto (ma stavolta in due brani si allarga a sestetto) che si è imposto come una delle formazioni più interessanti del nostro jazz. Emblematica la foto interna alla confezione del CD, che ritrae i quattro musicisti attorno alla lapide sulla ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
David S. Ware New Quartet: Théâtre Garonne, 2008
by Giuseppe Segala
È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...
Dustin Laurenzi's Natural Language: A Time And A Place
by Mark Corroto
When Chicago tenor saxophonist Dustin Laurenzi dedicates a song “Albert" on A Time And A Place to the the Holy Ghost of the avant- garde, Albert Ayler, he doesn't follow what most impersonators do and scream “ALBERT" at you. He builds upon a simple melody pattern (Ayler-like) patiently magnifying the intensity and fervor. Unlike Ayler, whose ...
Josephine Davies: Way Out East: New Directions In Jazz
by Chris May
Compared to many other bands which have emerged on London's revitalized jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. This may be because, unlike most of its contemporaries, Satori is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and ...
Tashi Dorji: Stateless
by Gareth Thompson
It was an ambitious move from Bhutan to Asheville, North Carolina, that helped shape Tashi Dorji's musical direction. The guitarist had previously been steeped in classic rock and hair metal, but as a foreign exchange student he soon absorbed punk and free jazz. Two saxophonists in particular, John Zorn and Albert Ayler, inspired Dorji to his ...
My Conversation with Gary Peacock
by AAJ Staff
Having been in the political arena, I know first hand the power of celebrity's undertow. It has a way of casually siphoning the integrity of a candidate. Fame and power in politics, I find, is quite similar in our music, and that it is no fluke that artists “sell-out." But Gary Peacock has not. The bassist ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
