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Best Jazz Ghost Tracks and Other Spectral Jazz, Part 2
by Ludovico Granvassu
We continue our exploration of great tunes that--for a reason or another--were concealed to great effect but also never received the attention they deserved. We'll try to remedy that focusing on ghost-tracks, and other ghostly jazz. We were supposed to select ten tunes... but there were at least thirteen more, plus a couple more ghost-related tunes. ...
The Pandemic Sessions: Duos, Part 1
by Mark Corroto
After the initial shock of the COVID-19 crisis and subsequent lockdown, artists did what artists do. Unable to tour, many musicians created solo projects. Musicians, like other sentient beings though, crave contact, so when some of the most severe restrictions lifted, duos were formed and production returned. These small positive steps (note: some were recorded before ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Albert Ayler & New York Contemporary Five: Revisited, Remastered, Resplendent
by Chris May
The Swiss-based ezz-thetics label was launched in 2019 by Hat Hut Records' founder, Werner X. Uehlinger, and its Revisited strand is a jazz aficionado's dream. The series is devoted to landmark avant-garde recordings from the 1960s, and ezz-thetics does more than simply reissue them. Peter Pfister, Uehlinger's longtime mastering Jedi, improves the audio quality of the ...
Wadada Leo Smith: Trumpet
by Karl Ackermann
In a half-century of recording, he has never stopped exploring the parameters of the form and instrument. Listening to composer/trumpeter Wadada Leo Smith is demanding but rewarding. His inspirations are classical in the small 'c' sense: the AACM, Persian music, August Wilson, Stravinsky, spirituals, and so on. Before the masses woke, Smith's music had incorporated political, ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
Scottish National Jazz Orchestra Plays Ayler at St. Giles' Cathedral
by Martin McFie
Scottish National Jazz Orchestra St. Giles' Cathedral Where Rivers Meet Edinburgh, Scotland May 15, 2021 Albert Ayler was an expressive and accomplished voice in the free jazz movement who was greatly respected by his peers. None other than John Coltrane encouraged the tenor saxophonist to join Impulse! records and even ...
On the Road con Idris Ackamoor & The Pyramids
by Gioele Pagliaccia
La prima volta che vidi Idris Ackamoor fu al Centro Stabile di Cultura una domenica nel novembre 2018. Gli organizzatori di questo storico locale a San Vito di Leguzzano, un piccolo paese a mezz'ora da Vicenza circondato da fonderie e campi di grano, mi avevano chiesto se potevo prestare la mia Ludwig al batterista dei Pyramids, ...
The Unstoppable James Brandon Lewis
by Eric Gudas
Tenor saxophonist, composer, and writer James Brandon Lewis is driven by a restlessness that makes him one of his generation's standout players of, and thinkers about jazz. Although he was voted Rising Star Tenor Saxophonist in the 2020 DownBeat Magazine International Critic's Poll, most might say, after listening to his recent releases, that his star has ...
Ivo Perelman Trio: Garden Of Jewels
by Jerome Wilson
Garden of Jewels is an apt title for this CD. It contains music that is luminous and multifaceted like a jewel, sparkling from many different angles. The musicians here, saxophonist Ivo Perelman, pianist Matthew Shipp and drummer Whit Dickey all developed individual sounds out of the musical freedom principles pioneered in the Sixties, and have played ...
