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Musician

Alan Silva

Born:

A free jazz and improvisational musician, American composer/orchestral leader Alan Silva is a master of numerous instruments, among them the violin, cello, synthesizer, piano, and, especially, the double bass. His performances and recordings as a bassist, particularly in the 1960s and 1970s, are legendary. During this period, he helped record some of the most explorative releases in improvised music, working with the likes of Cecil Taylor, Sun Ra, Albert Ayler, Archie Shepp, Sunny Murray, Bill Dixon, Frank Wright, Andrew Hill, and Jimmy Lyons. In 1969 he founded his own ensemble, the Celestial Communication Orchestra, organized sessions for smaller group settings, and tried his decidedly uncompromising, fresh approach to music on other instruments, most recently the keyboards. A British citizen prior to the age of 18, Alan Silva was born in Bermuda on January 22, 1939

Album

Mixed to Unit Structures Revisited

Label: Ezz-thetics
Released: 2021
Track listing: Pots; Bulbs; Mixed; Steps; Enter, Evening (Soft Line Structure); Unit/Structure / As Of A Now / Section; Tales (8 Whisps).

Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Giuseppe Segala


La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...

2

Article: Album Review

Cecil Taylor: Mixed To Unit Structures Revisited

Read "Mixed To Unit Structures Revisited" reviewed by Mark Corroto


A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...

6

Article: Interview

Burton Greene: From Bomb To Balm

Read "Burton Greene: From Bomb To Balm" reviewed by Barbara Ina Frenz


Chicago-born pianist Narada Burton Greene (b.1937) can be called a veteran of the 1960s jazz avant-garde—the starting point of his universal musical life. In 1962, he moved to New York and founded, together with bassist Alan Silva, the Free Form Improvisational Ensemble, which played improvised music without preconceived compositional elements. In 1965, he became a member ...

2

Article: Album Review

Dopolarians: Garden Party

Read "Garden Party" reviewed by Giuseppe Segala


Non si potrebbe trovare un titolo più calzante di questo Garden Party, per un disco che in tutta la propria estensione si dipana come un incontro piacevole tra vecchi amici, avvezzi a dialogare in tutta rilassatezza, perché conoscono bene il reciproco carattere, sanno dove il discorso andrà a parare e lo gestiscono in modo leggero. Ma ...

35

Article: Interview

Matthew Shipp: Poetic Connection

Read "Matthew Shipp: Poetic Connection" reviewed by Seton Hawkins


It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...

6

Article: Album Review

Casper Nyvang Rask's "Slow Evolution Ensemble": Slow Evolution Ensemble

Read "Slow Evolution Ensemble" reviewed by Dan McClenaghan


Artists presenting their debut album usually draw heavily on their influences, and end up sounding like them, in a watered down way. Danish bassist Casper Nyvang Rask takes a different tangent, assembling his “Slow Evolution Ensemble"—five reeds, two drummers, and two double bass players—to create a unique and personal sound of an engaging avant-garde variety.

4

Article: Album Review

Franz Koglmann / Bill Dixon: Opium For Franz

Read "Opium For Franz" reviewed by Mark Corroto


This gem of a recording has been a collector's dream prize for decades. Recorded and released in the mid-1970s on flugelhorn/trumpeter Franz Koglmann's Pipe Recordings, each copy of Opium For Franz was issued with an original hand painted cover. Back in the day, we wouldn't speak of a limited issue release, even though this one probably ...

5

Article: Album Review

Benoit Delbecq 4: Spots On Stripes

Read "Spots On Stripes" reviewed by John Sharpe


In the animal kingdom both spots and stripes contribute to the camouflage which keeps the wearer hidden from either potential predators or prey. There's something similarly disorientating about this enigmatic album from French pianist Benoit Delbecq. Renowned as someone who has taken John Cage's idea of prepared piano into the jazz sphere, Delbecq has studied with ...


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