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John Coltrane: Chasin' The Trane Revisited
by Chris May
A high-tide moment in jazz history, John Coltrane's November 1-5 1961 engagement at New York's Village Vanguard was exhaustively documented on a series of Impulse albums during the 1960s and 1990s. Those discs have now, in autumn 2021, been supplemented by the Swiss-based ezz-thetics label's magnificent Chasin' The Trane Revisited. Before examining the new ...
Richard Brent Turner on Islam, Jazz and Black Liberation
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, ...
Moers Festival Interviews: Pat Thomas
by Martin Longley
In 2020, the Moers Festival in Germany presented one of the first full post-lockdown events, with its performers physically in place, and its four-day programme resolutely running in the accustomed Eventhalle venue. There was a stage at each end of this cavernous space, with the French-German Arte television crew filming for broadcast on its channel, as ...
[Ahmed]: Nights on Saturn (communication)
by Troy Dostert
When [Ahmed] released its debut album, Super Majnoon (Otoroku), in 2019, it provided not only an opportunity to revisit the under-heralded work of pathbreaking bassist Ahmed Abdul-Malik. It also offered a bewildering, sometimes intoxicating stew of improvisation that relied equally on minimalist repetition and deeply-rooted grooves. This intrepid team of European musicians, consisting of saxophonist Seymour ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Results for pages tagged "Ahmed Abdul-Malik"...
Ahmed Abdul-Malik
Born:
Bassist Ahmed Abdul-Malik was one of the first musicians to introduce Arabic music into jazz and the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute as a jazz instrument. He was born on January 30th 1927 to Sudanese parents in Brooklyn and grew up in the borough’s Arab neighborhood. According the most recent edition of the Rough Guide to Jazz he did not change his name to Ahmed Abdul-Malik in the mid- 50s but was given that name at birth. He started studying music at age 7; first violin then bass, piano and even tuba. His first jobs as a musician were when he was still a teenager and included symphony orchestras and different ethnic weddings
The New Golden Age of Jazz Radio
by Karl Ackermann
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
Randy Weston: Music of The Earth
by R.J. DeLuke
Pianist Randy Weston has long been known to be a student of his African heritage and proud of it. Born in Brooklyn, he has lived in Africa, been involved with musicians there--he has been involved with the entirety of its culture. An expert? “I've lived there for years, man, and I know nothing," ...
John Coltrane: My Favorite Things (Not Including “My Favorite Things”)
by Matt J. Popham
John Coltrane died on July 17, 1967 at the age of forty. Had he lived, he would have turned 90 on September 23rd of this year. When one considers the profound effect he had--not just on jazz, but on music as a whole--in the brief two decades of his career, it's not only daunting, but depressing, ...
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