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Antonin Gerbal
Drummer, improviser and composer based in Paris. Active in bands like [Ahmed] with Pat Thomas, Seymour Wright and Joel Grip ; [Ism] with Pat Thomas and Joel Grip ; Sbatax with Bertrand Denzler ; large ensembles like Umlaut Big Band or ONCEIM. As an eclectic musician, Antonin Gerbal has developed a singular approach to rhythms and sound - questioning the unity of the drums in the first swing orchestras, bebop, free jazz and in the fields of contemporary improvised, composed and experimental musics. He has collaborated with Alexander Von Schlippenbach, Éliane Radigue, Peter Ablinger, Evan Parker, John Tilbury, Stephen O’Malley, Jim O'Rourke, Jean-Luc Guionnet, Seijiro Murayama or Axel Dörner.
Bass Is The Place: Tyler Mitchell, Jimmy Garrison, Dave Holland And More
by David Brown
This week angels & demons are at play as basset luminary Tyler Mitchell and legendary saxophonist Marshall Allen present two new Sun Ra inspired releases. Then, we follow Jimmy Garrison in and out of the Coltrane quartet, followed by more bassist led groups from Wilbur Ware, Ahmed Abdul-Malik (pictured), Linda May Han Oh and others. Bass ...
John Sharpe's Best Releases of 2021
by John Sharpe
Whether due to pent up creative energy or release schedules making up for lost time, more terrific music has come my way than for several years, in spite of the last twelve months. From the 200 or so discs that I heard in 2021, here are ten new issues (in the order I came across them), ...
Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
John Coltrane: Chasin' The Trane Revisited
by Chris May
A high-tide moment in jazz history, John Coltrane's November 1-5 1961 engagement at New York's Village Vanguard was exhaustively documented on a series of Impulse albums during the 1960s and 1990s. Those discs have now, in autumn 2021, been supplemented by the Swiss-based ezz-thetics label's magnificent Chasin' The Trane Revisited. Before examining the new ...
Richard Brent Turner on Islam, Jazz and Black Liberation
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, ...
Moers Festival Interviews: Pat Thomas
by Martin Longley
In 2020, the Moers Festival in Germany presented one of the first full post-lockdown events, with its performers physically in place, and its four-day programme resolutely running in the accustomed Eventhalle venue. There was a stage at each end of this cavernous space, with the French-German Arte television crew filming for broadcast on its channel, as ...
[Ahmed]: Nights on Saturn (communication)
by Troy Dostert
When [Ahmed] released its debut album, Super Majnoon (Otoroku), in 2019, it provided not only an opportunity to revisit the under-heralded work of pathbreaking bassist Ahmed Abdul-Malik. It also offered a bewildering, sometimes intoxicating stew of improvisation that relied equally on minimalist repetition and deeply-rooted grooves. This intrepid team of European musicians, consisting of saxophonist Seymour ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
