Results for "African Jazz"

Jo Kaiat

Born in Nice in 1960, Jo Kaiat devotes himself to music, a territory whose limits are only those that man wants to give himself. His odyssey begins with jazz but, very quickly, the swing proves to be not enough to express all that is inside in him. He then turned to Bela Bartok, Olivier Messiaen, Stravinsky and the Impressionists. He spent his teenage years crunching chords in search of a mystery. At 18, he went to Paris. He stays there for five years, playing with Steve Potts, Oliver Johnson, Jean Jaques Avenel, Georges Brown, Jean Yves Colson, Jef Sicard… then he returned to Nice where he continued his musical activities with Barney Wilen, Bibi Rovere, Jack Sewing… With Jo Kaiat it is about travelling but travelling in depth, it is every time to try to make the tour of something

Moreira Chonguica

Mozambican jazz-saxophonist, composer, producer, academic and philanthropist, Moreira Chonguiça is feted as one of the finest exponents of innovative and original jazz from Africa. As an independent artist with seven award-winning, globally informed and celebrated albums – he is blazing a trail from his east-African roots to the world. Exposed to and inspired by the likes of Miles Davis, Fela Kuti, Percy Sledge and Manu Dibango, Moreira’s energetic contemporary rhythmic compositions have garnered applauses across all six continents. His unique sound, technical agility and ingenuity on the alto and soprano saxophone, coupled with passionate stage performance captivates audiences universally.

Jim Funnell

Anglo-French pianist and composer Jim Funnell started leading his own band in his early teens, performing at jazz clubs by the time he was in high school. Dedicating himself to the study of both classical and jazz piano, he was awarded a full tuition scholarship from Berklee College of Music, where he was exposed to a diversity of styles and cultures. Jim then decided to travel to Mexico, Argentina, Uruguay, and Brazil, soaking up Latin America’s folklore and Afro-Latin rhythms. Since then, he has launched a prolific recording career: five albums as a leader/co-leader of both his own group “Word Out” (modern jazz combo with groove and world tinges) and AfuriKo (African infused jazz duo with percussionist Akiko Horii) have already been released to this day

Amanda Devon

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Jay Danley

Canadian recording artist Jay Danley is a world-class session musician who contributed instrumentally to multiple Juno award-nominated records (Hilario Duran) and is the featured guitarist on the Juno award-winning (Julian Fauth), blues album of the year release.   He has performed with a multitude of legendary musicians from around the world. His coveted tenure with British–Canadian jazz vibraphonist, percussionist, and composer Peter Appleyard is a memorable chapter is in his storied career, along with performances with primary members of Buena Vista Social Club and Salsa star Oscar D'León, to name a few.   Danley is recognized as one of Canada’s leading Jazz and Latin multi-instrumentalist musicians/composers, who as band leader delivered many memorable performances, at the highly acclaimed “Beaches International Jazz Festival,” performed at Toronto’s legendary Massey Hall and graced the stage at the “Barbados Jazz Festival.”   Known as the creator of his own compelling style of “Ethiojazz,” Jay was selected by the “Ontario Arts Council,” in a rigorous juried competition, to receive funds to create his current album release titled "Ethiojazz Volume 1." The album contains memorable melodies, themes and incredible performances, showcasing tracks that flow from high energy dance music to sweet ballads

Bassekou Kouyate & Ngoni Ba: Jama Ko

By CHRIS MAY

Bassekou Kouyate & Ngoni BaJama KoOut/Here2013Malian ngoni player Bassekou Kouyate and his band, Ngoni Ba's third album continues the increasingly outward-looking trajectory of its predecessors. The debut, the lovely Segu Blue (Out/Here, 2007), was unadorned roots music. Its follow-up, the more visceral I Speak Fula (Out/Here, 2010), wove ...

Senegal’s Orchestra Baobab and Guinea’s Authenticite Movement Show Their Roots

By CHRIS MAY

Sterns Music's lovingly put-together compilations of work by stars of Francophone West African music's “belle époque“--the decade and a half accompanying and immediately following the independence years of the 1960s--are now digging further into history with releases featuring more obscure, but just as entrancing, figures from that era. For different reasons, Senegalese singer ...

Owiny Sigoma Band: Rising From The East

By CHRIS MAY

Owiny Sigoma BandOwiny Sigoma BandBrownswood Recordings2011 Along with its close neighbors, Tanzania and Uganda, Kenya--as viewed from Europe or North America--is one of the final frontiers in African music. Indirectly, this is the result of the decades-long, overwhelming impact of Zairean rumba on east Africa, and its ...

Compilations: Doing The Right Thing

By CHRIS MAY

Double-albums of classic Congolese and South African recordings demonstrate the right and the wrong ways to go about compilations. Tabu Ley RochereauThe Voice Of Lightness Vol. 2: Congo Classics 1977-1993Sterns2010 From its inception, everything about Sterns' compilation program has been pitch-perfect. Curated by enthusiasts with deep ...

The Majestic “Return” of King Sunny Ade & His African Beats

By CHRIS MAY

King Sunny AdeBaba Mo TundeIndigeDisc2010 A leading exponent of Nigerian juju music since the late 1970s, and in 2010 still the most sought after live artist for expatriate Nigerians in Europe and north America, vocalist and guitarist King Sunny Ade once rivalled Afrobeat's Fela Kuti and Zairean rumba's ...