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Results for "Abbey Lincoln"
Ran Blake: Something To Live For
by Alberto Bazzurro
Con copertina diversa, torna a quasi diciannove anni dalla sua prima edizione (1999; incisione Boston, marzo '98) un album certamente prezioso (per quanto magari un po' discontinuo) di quel singolare pianista (e personaggio tout court) che è Ran Blake, oggi ottantatreenne. L'album si compone, adesso come allora, di diciannove brani, per lo più brevi o molto ...
Roxy Coss: The Future is Female
by Paul Rauch
Saxophonist/composer Roxy Coss migrated east ten years ago from her native Seattle, seeking a life and career in jazz in New York City. That time has seen her develop a strong and focused voice both as a musician and as an advocate and activist for female artists in America's quintessential art form. Coss gained ...
Laurie Dapice: Parting the Veil
by Dan McClenaghan
Phrasing is important. The top jazz vocalists are experts at laying down the elastic--or the sharp and concise--turn of phrase. New York-based vocalist Laurie Dapice excels in this regard. Like a deft baker working and molding the dough, she stretches and kneads a syllable here, and slices another off with a sharp cut of a dough ...
Craig Taborn and his multiple motion
by Giuseppe Segala
Craig Taborn is among the most creative musicians on today's scene. His music is shaped by a deep intellectual curiosity towards a wide range of artistic forms and sources of knowledge. His technical, stylistic, emotional and mental versatility have allowed him to collaborate with a large range of recognized masters in diverse styles of contemporary jazz. ...
Kosi: I Know Who I Am
by James Nadal
With a resolute commitment to her art, singer/songwriter/guitarist/producer Kosi (Akosua Gyebi) has recently released various acclaimed records, culminating with a superb tribute to Abbey Lincoln, Ghosts Appearing through the Sound in 2015. The aptly titled I Know Who I Am is a personal odyssey through love, guilt, and absolution, leading to self-acceptance and validation, expressed with ...
Il moto multiplo di Craig Taborn
by Giuseppe Segala
Prima di leggerne le parole precise ed esaurienti nell'intervista, è il caso di ricordare alcune cose di Craig Taborn, pianista quarantasettenne che si colloca ai massimi livelli della scena contemporanea. In primo luogo la sua profonda curiosità intellettuale, che lo porta a un intreccio di interessi nei confronti di forme diverse dell'espressione artistica e della ...
Quinsin Nachoff: Quinsin Nachoff's Ethereal Trio
by Mark Corroto
It's interesting how modern jazz performers come to the music from very different circumstances than those of players of bygone eras. Instead of learning their craft in a bar or bagnio, they went to a conservatory to sharpen their chops. What they lack in perceived street-smarts (the outdated 1950s hipster delusion of jazzman as junkie), they ...
Akua Dixon: Akua's Dance
by Chris M. Slawecki
My ears are not accustomed to hearing cello as the lead instrument in an ensemble, and so Akua's Dance by cellist and baritone violinist Akua Dixon took some getting used to. Dixon took quite a circuitous route to her third release: After graduating from New York's Fame High School of the Performing Arts, then ...
Jazz in Its Present Tents
by Chris M. Slawecki
Jazz sets up camp throughout different geographies--and centuries. Bossacucanova The Best of Bossacucanova Six Degrees Records 2016 Few bands have built upon the legacy of their chosen field the way that Bossacucanova has advanced the music of their native Brazil. Their story begins about two ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
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