Composer and multi-instrumentalist, PEK, set his sights on something bigger with the Leap of Faith Orchestra's Supernovae. The previous incarnation of the LOFO expands from the fifteen musicians on The Expanding Universe (Evil Clown, 2016) to twenty-one players on this new outing. Another noteworthy element of this project is PEK's use of Frame Notation where the score is seen in written descriptions and straight-forward symbols within Duration Bars. The system provides the musicians with immediate understanding of their own parts and the higher-level arrangement of the music.
Supernovae consists of a single track composition running just under eighty minutes. The digital download includes a bonus track. Though the extended piece is not broken out by formal movements, there are clear delineations within the score. PEK's ensemblenot surprisinglyincludes enough non-traditional and weird instruments to compete with a Dr. Seuss orchestra. Though they are not playing in a vacuum, that group of instruments dominates the first ten minutes before strings and reeds make themselves more clearly heard. Forty-five minutes in, we have the first case of prolonged melody, darker and more subdued than the overall tone of the first half.
Supernovae gives way to free improvisation overlaying the melody. Eventually the piece introduces a brilliant percussion passage before it reintroduces the non-traditional music elements, but here in a more refined manner. As with all of PEK's compositions, there isbehind the scenesa painstaking amount of organization that is not always evident in the listening. That is part of the beauty of this album; the non-traditional approach to instrumentation and the lack of adherence to Western structure continue to make the various iterations of Leap of Faith consistently interesting. And interesting look at the written score can be viewed at http://www.evilclown.rocks/lofo-supernovae-score.html.
Track Listing: Supernovae.
Personnel: PEK: clarinet, contraalto clarinet, alto, tenor & baritone saxophones, oboe, dulzaina, contrabassoon, bass trombone, sheng, daxophone, flex-a-tone, rachet, plate gong, aquasonic,fog horns, taxi horn, wind siren, metal; Glynis Lomon: cello, aquasonic, voice; Yuri Zbitnov: lead gong, drum set, daiko, festival drum, balafon, metal, wood; Andria Nicodemou: vibes, crotales, metal; Bob Moores: trumpet, large temple bowl; Forbes Graham: trumpet, Tibetan bowl, flex-a-tones; Dan O’Brien: clarinets, bass clarinet, alto & tenor saxophones, flute, Tibetan Bowl; Zach Bartolomei: soprano & alto saxophones, clarinet, rachet, melodica; Kat Dobbins: trombone, Tibetan bowl, plate gong; David Harris: trombone, tuba, rachet; John Baylies: tubas, flex-a-tones; Mimi Rabson: violin, flex-a-tones; Matt Scutchfield: violin, Atlantis gong, flex-a-tones; Helen Sherrah-Davies: violin, flex-a-tones; Brendan Higgens: bass, rachet; Tony Leva: bass, rachet; Drew Wesley: guitar, rachet; Grant Beale: guitar, flex-a-tone; Peter Cassino: piano; Kevin Dacey: drum set, vibes, timpani, metal, wood , balafon; Sydney Smart: electronic percussion, drum set.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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