Home » Jazz Articles » Film Review » Soft Machine: Alive In Paris 1970

415

Soft Machine: Alive In Paris 1970

By

Sign in to view read count
Soft Machine

Alive In Paris 1970

Voice Print

2008

This could just as well be titled Very Much Alive In Paris since the DVD captures for posterity a couple of Soft Machine performances first broadcast on French television's POP 2 program on March 2, 1970. It features the short-lived five-piece incarnation of the group that comprised Lyn Dobson on soprano sax, flute, vocal and harmonica in addition to the potent quartet of Elton Dean, Mike Ratledge, Hugh Hopper and Robert Wyatt. As such, it has that moment-in-time feel for a number of reasons, not the least which is the potent, iconoclastic music actually being deemed worthy of televisual exposure.

The enduring impression that this group never played the same set the same way twice is evident from the git-go here, with "Facelift" living up to its title in the way that Dean and Dobson duet with the melody without actually fully stating it before the familiar theme emerges properly.

It should be noted at this point that there's little visual fireworks on the disc, which demonstrates, more than anything else, how the program was filmed at a time when it was assumed that the music was more than sufficiently eloquent in itself. Thus the camera focuses exclusively on Wyatt during his vocal extemporisation and on Dean for much of his saxello solo on "Eamonn Andrews," one of a number of moments that show the group had a special grasp of dynamics, resolving the age-old issue of tension and release with aplomb. Dobson's flute solo on "Backwards/Mousetrap Reprise" makes a similar point, with the rhythm section of Ratledge, Hopper and Wyatt evidencing more than mere power and volume.

"Out-Bloody-Rageous" rounds proceedings off in fine fashion, the tumbling line of its theme nicely negotiated in unison by Dean and Dobson and, as with numerous other examples of this group's music in circulation, the result overall is as strong a case as any for the joys of creative tension.

Tracks: Facelift, Esther's Nose Job, Eamonn Andrews/Backwards/Mousetrap, Out-Bloody-Rageous.

Personnel: Lyn Dobson: soprano sax, flute, voice, harmonica; Elton Dean: alto sax, saxello; Mike Ratledge: organ, pianet; Hugh Hopper: bass; Robert Wyatt: drums, vocals.



Production Notes: 62 minutes. Recorded March 2, 1970 at Theatre de la Musique, Paris, France. Extras: None.

< Previous
Luminosity

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Jazz article: They Shot the Piano Player
Jazz article: Maestro: The Leonard Bernstein Story

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.