All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Art Pepper produced the greatest recordings of the so-called "first phase" of his career during periods of intense chaos. A case in point is Art Pepper Meets the Rhythm Section, where the altoistrusty from inactivity, angry because of the surprise recording session set up by his then-wife Diane, and very, very strung outexpelled an acknowledged masterpiece. The aptly named Smack Up was the penultimate recording to the better part of a decade of incarceration for the musician's well-known heroin addiction.
In the company of West Coast stalwarts Jack Sheldon and Pete Jolly, Pepper swings through what even by today's standards is an interesting set of music. There is Harold Land's title cut, Pepper's own 5/4 "Las Cuevas De Mario" (a song he would perform throughout his life), Buddy Collette's swinging "A Bit of Basie" and Benny Carter's soulful "How Can You Lose." Of keen interest is Pepper's take on Ornette Coleman's "Tears Inside," which showed the rather traditional Pepper had no fear of "The New Thing."
The sound is an improvement on the original release, even on the previously excluded "Solid Citizens." This is an important recording that definitely warranted re-release with remastering.
Track Listing: Smack Up; Las Cuevas De Mario; A Bit Of Basie; How Can You Lose; Maybe Next Year; Tears Inside; Solid Citizens (Take 33) Solid Citizens (Take 33).
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.