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Musician

Art Pepper

Born:

Alto Saxophonist Art Pepper, a native of Gardena California, played in the overtly emotional manner that came to define the West Coast style. His solo approach was always passionate, from early recordings made with Stan Kenton's orchestra during his years with the band (1943 and 1946-52) and in jam sessions on LA’s Central Avenue.

Records and club work with Shorty Rogers and his Giants beginning in 1951 provided more room for his solo skills, and by 1952 he began cutting more intimate and open quartet and quintet sessions under his own name. By this time he had already developed a dependence on alcohol, pills, and heroin that led to an erratic lifestyle and (in 1952) the first of several arrests and incarcerations. For the remainder of the decade, Pepper alternated stretches in prison with bursts of recording activity. Two of these

Album

An Afternoon in Norway: The Kongsberg Concert

Label: Elemental Music
Released: 2025
Track listing: Y.I.Blues (aka Untitled); The Trip; Make A List, Make A Wish; Patricia; Caravan; Blues For Blanche; Straight Life.

Album

An Afternoon in Norway: The Kongsberg Concert

Label: Elemental Music
Released: 2025
Track listing: Y.I. Blues (aka Untitled); The Trip; Make a List, Make a Wish; Patricia; Caravan; Blues for Blanche; Straight Life.

Album

Jack's Groove

Label: GNP Crescendo Records
Released: 1959
Track listing: Green Dolphin Street; I'm Also A Person; I Had The Craziest Dream; Arrividerci; Brown Cow; Anyhow; Julie Is Her Name; Aplomb; Sunset Eyes; J.S..

Album

Geneva 1980

Label: Omnivore Recordings
Released: 2025
Track listing: Ophelia; Mambo Koyama; Patricia; Miss Who; I'll Remember April; Blues For Blanche; Valse Triste; Make A List (Make A Wish); Goodbye; Blues For Les.

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Article: Radio & Podcasts

Celebrating Art Pepper, Al Cohn and Marty Paich on their centennial.

Read "Celebrating Art Pepper, Al Cohn and Marty Paich on their centennial." reviewed by Larry Slater


It is hard to even imagine the history of jazz without the many musicians born 100 years ago.There were the icons, like Roy Haynes, Oscar Peterson, Gene Ammons and James Moody, as well as long forgotten artists like Dodo Marmarosa , Leo Parker and Sahib ShihabIn this hour, you'll hear gifted musician ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Album Review

Art Pepper: An Afternoon in Norway: The Kongsberg Concert

Read "An Afternoon in Norway: The Kongsberg Concert" reviewed by Jack Kenny


This album is not just music; it is a glimpse into one of the most compelling stories in Art Pepper's musical history from the impossibly handsome alto saxophonist with Stan Kenton's orchestra to a drug-fueled inmate in San Quentin, culminating in a glorious renaissance. The sheer logistics surrounding this album are impressive. Consider this ...

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Article: Jazz West Coast

The Jazz West Coast Style of Music: An Introduction

Read "The Jazz West Coast Style of Music: An Introduction" reviewed by Steven Cerra


I know it's hard to imagine with today's governmental overreach telling people what cars to drive, what bathrooms to use, and the highest personal, property and commercial taxes of any state in the nation, but California in the 1950s was a place of opportunities and possibilities. It's why my dad relocated the family from ...

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Article: Album Review

Joe Santa Maria & David Tranchina: Oblique Rhyme

Read "Oblique Rhyme" reviewed by Fran Kursztejn


The integral development of post-'70s jazz has nothing to do with instruments, playstyle or compositional ethos. After bop's heyday slowly petered out, its practitioners either holding strong to the tradition or scattering to other genres in the public's favor, the necessity of a studio-produced, hierarchical set seemed to disappear with it. Granted, the bandleader model maintains ...


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