All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Nguyen Le: Signature Edition 1

John Kelman By

Sign in to view read count
Few musicians embody the word "fusion" more than Parisian-born guitarist Nguyên Lê. The son of Vietnamese immigrants, for the past 25 years he's been mining a combination of fusion by the more conventional definition—the infusion of rock energy into the jazz sphere—with fusion in a broader sense, the seamless integration of music from cultures around the world. More than many, Lê's music represents a cross-pollination that, at any given time, can combine his own electric guitar—often distortion-tinged and whammy bar-driven, with bluesy bends like the best Occidental jazz-rocker, yet imbued with the Orient's microtonal nuances—with a Persian zarb daf drum, Vietnamese dan nguyêt lute, and classical cello. Signature Edition 1 presents a comprehensive cross-section of Lê's music across two generously stuffed discs, dating as far back as his early work with the group Ultramarine on the Afro-centric De (Musidisque, 1989), straight through to Saiyuki (ACT, 2009), where he travels from France to Japan, by way of India and Vietnam.

ACT's Signature Edition—timed to celebrate label head/producer Siggi Loch's 50th anniversary in the business—is modeled after ECM's :rarum series of 2002-2004 insofar as its artists are given free rein to choose what they consider to be representative material and sequence it in an order that makes sense. Unlike :rarum, however, ACT's artists can select music that goes beyond their work with the label, making Signature Edition, in many cases, more fully career-spanning. Certainly that's the case with its first four editions, which also include entries from guitarist Ulf Wakenius, bassist/cellist/pianist Lars Danielsson, and drummer Wolfgang Haffner.

In Lê's case, he hitched his wagon to ACT relatively early in his career, and so the majority of his collection is culled from the label, ranging from the electrified but Oregon-esque Walking on the Tiger's Tail (2005), featuring pianist Art Lande and Oregon's woodwind multi-instrumentalist Paul McCandless, and the more expansively world music-driven Bakida (2000), a trio date with bassist Renaud Garcia-Fons contributing some stunningly virtuosic flamenco work, to Lê's unique take on the music of a rock icon with Purple: Celebrating Jimi Hendrix (2002).

Another differentiator with the Signature Edition is its inclusion of previously unreleased material. From the Saiyuki session comes "Magic Constant," with Lê's tart guitar driven by Prabhu Edouard's tablas and Mieko Miyazaki's swirling koto, while the grooving "Louxor Dance" is culled from the home recordings of Homescape (2006), combining Lê's skill at programmed beats and electronics with Italian trumpeter Paolo Fresu's muted, Miles Davisian trumpet.

There are moments when Lê's conception suggests how Pat Metheny Group might have sounded, had the iconic American guitarist looked east instead of south, and even some oblique John Scofield-isms on the swinging "Miss One," from Miracles (Universal France, 1990). But what's most important about Signature Edition 1 is its ample evidence of an artist whose voice has been his own from the very beginning, regardless of context. It's hard to imagine a better introduction to—or consolidation of—Lê's rich body of work to date.

Track Listing: CD1: Magic Constant; Sangam; La Rossinyol; Weaving & Waiting; Kokopanites; Zafaran; Louxor Dance; Totsu!; Snow On A Flower; Cold Winter, Faraway Land; Voodoo Child; Sao Sen. CD2: Dding Dek; Encanto; L'Arkha Li Jeya; Ifrikyia; Foow; Dance Of The Comet; The Wind Blew It Away; The Black Horse; Lupi Pilu; Miss One; Miracles; U Song.

Personnel: Nguyên Lê: guitar, programming (CD1#4, CD1#6, CD1#7), samples (CD1#4, CD1#10), electronics (CD1#6, CD1#7), synths (CD1#10, CD1#11, CD2#3, CD2#4, CD2#7, CD2#8), guitar synth (CD2#6, CCD2#12), synth programming (CD2#9); Meiko Miyazaki: koto (CD1#1, CD1#2, CD1#4), vocals (CD1#2); Prabhu Edouard: tablas (CD1#1, CD1#2), vocals (CD1#2); Hariprasad Chaurasia: bansuri flute (CD1#2); Markus Stockhausen: trumpet (CD1#3); Claudio Puntin: reeds (CD1#3); Steffen Schorn: reeds (CD1#3); Frank Sackenheim: reeds (CD1#3); Arkady Shilkloper: French horn (CD1#3); Joe Sass: tuba (CD1#3); Lars Danielsson: bass (CD1#3); Peter Erskine: drums (CD1#3, CD1#5, CD1#12, CD2#6, CD2#10, CD2#11); RED URG 4: string quartet (CD1#3); Huong Thanh: vocals (CD1#4, CD1#10, CD2#7, CD2#8); Francis Lassus: radiator (CD1#4); Hao Nhiên: zither (CD1#4, CD2#7, CD2#8), dan nguyêt lute (CD1#10), sao flute (CD1#10), dan bau (CD2#7); Etienne Mbappé: electric bass (CD1#4, CD2#12); Alex Tran: percussion (CD1#4); Michel Benita: acoustic bass (CD1#5, CD1#10, CD1#12, CD2#7, CD2#8); Dhafer Youssef: oud and vocals (CD1#6); Paolo Fresu: trumpet (CD1#7, CD2#7, CD2#8); Art Lande: piano (CD1#8, CD1#9, CD2#9-11); Paul McCandless: oboe (CD1#8), soprano saxophone (CD1#9), English horn (CD1#9, CD2#9), reeds (CD2#9); Jamey Haddad: drums and percussion (CD1#8, CD1#9); François Verly: bells (CD1#10), percussion (CD1#10, CD2#7, CD2#8), marimba (CD2#7, CD2#8), keys (CD2#8); Bijan Chemirani: zarb def and rek (CD1#10); Dominique Borker: piano (CD1#10); Ladislav Szathmary: cello (CD1#10); Meshell Ndegeocello: electric bass (CD1#11); Terri Lyne Carrington: drums (CD1#11); Karim Ziad: percussion (CD1#11), drums (CD2#3, CD2#4), gumbri (CD2#4), vocals (CD2#4); Aida Khann: vocals (CD1#11); Renaud Garcia-Fons: acoustic 5-string bass (CD2#1, CD2#2, CD2#5); Tino di Geraldo: drums and percussion (CD2#1, CD2#2); Kudsi Erguner: ney flute (CD2#1); Illya Amar: tuned gongs and marimba (CD1#2); Carles Benavent: electric bass (CD2#2); Michel Alibo: electric bass (CD2#3, CD2#4); B'net Houariyat: vocals (CD2#3, CD2#4), percussion (CD2#4); Stefano di Battista: alto saxophone (CD2#3); Jean Jacques Avnel: kora (CD2#3, CD2#4); Bojan Z.: piano (CD2#4); Alain Debiossat: soprano saxophone (CD2#4); Aly Wagué: African Peul flute (CD2#4); Mino Cinelu: percussion (CD2#5); Marc Johnson: acoustic bass (CD2#6, CD2#10, CD2#11); Simon Spang Hansen: saxophones (CD2#7, CD2#8), flutes (CD2#7); Joël Allouche: drums (CD2#7-9), percussion (CD2#9); Steve Argüelles: drums (CD2#8); Dean Johnson: acoustic bass (CD2#9); Mario Canonge: piano (CD2#12), synth (CD2#12); Pierre Olivier Govin: saxophone (CD2#12); Bago: percussion (CD2#12); Mokhtar Samba: drums (CD2#12).

Title: Signature Edition 1 | Year Released: 2010 | Record Label: ACT Music


Related Video

comments powered by Disqus

Related Articles

Read Making Other Arrangements CD/LP/Track Review
Making Other Arrangements
by Ian Patterson
Published: April 25, 2018
Read Charlie & Paul CD/LP/Track Review
Charlie & Paul
by Karl Ackermann
Published: April 25, 2018
Read Sunlight CD/LP/Track Review
by Jeff Winbush
Published: April 25, 2018
Read Fullmoon CD/LP/Track Review
by Glenn Astarita
Published: April 25, 2018
Read Fullmoon CD/LP/Track Review
by Karl Ackermann
Published: April 24, 2018
Read Arise! CD/LP/Track Review
by Chris May
Published: April 24, 2018
Read "Roppongi" CD/LP/Track Review Roppongi
by Mark Sullivan
Published: January 19, 2018
Read "Lacy Pool_2" CD/LP/Track Review Lacy Pool_2
by Glenn Astarita
Published: June 14, 2017
Read "Happy Fire - New Kind of Jazz" CD/LP/Track Review Happy Fire - New Kind of Jazz
by Troy Dostert
Published: April 16, 2018
Read "Cluster Swerve" CD/LP/Track Review Cluster Swerve
by Glenn Astarita
Published: July 6, 2017
Read "The Late Trane" CD/LP/Track Review The Late Trane
by Roger Farbey
Published: June 27, 2017
Read "Looking Forward" CD/LP/Track Review Looking Forward
by Geannine Reid
Published: September 6, 2017