Home » Jazz Articles » Album Review » Ofir Shwartz Trio: Shades of Fish
Ofir Shwartz Trio: Shades of Fish
<
Shwartz's vocabulary draws inspiration from modern jazz mainly in its myriad lyrical incarnations, pop songs, and progressive and heavy rock. His gift to sketch highly melodic themes is apparent throughout this recording. His trio is playing in a highly disciplined, tight and supportive form, with passion and energetic flow.
The trio shines when articulating the infectious themes of "When It Ends" and even more on "Industrial City" (including its reprise), unfolding the strong themes with playful command, turning these melodic and energetic compositions to catchy pop songs. But this trio also sounds addicted to these dramatic formats, attempting to find glorious, power chords and tempting grooves on account of deeper abstraction of the theme and risk taking form of interplay.
The only composition that escapes this structure is the moving ballad "Folk Song," the most impressive composition on this album, and to a lesser degree "It's Wet Outside." The meditative theme of "Folk Song" is implied, alternately by Shaya and Shwartz while Bertoncelj adds colors and spare dramatic dimension, never delivered with full force. This composition demonstrates the formative influence of the aesthetics of ECM school of lyrical jazzKeith Jarrett obviously, but also the influence Bobo Stensonhad on Shwartz.
Shwartz only begins to feature his compositional skills. Shades of Fish is another sign that he is on the right way.
Track Listing
Caelum; Chicko; When it Ends; Germany; Folk song; Industrial city; Shades of Fish; It's Wet Outside; Last Journey; Industrial City, Vol. 2.
Personnel
Ofir Shwartz
pianoOfir Shwartz: piano; Gal Shaya: double bass; Gasper Bertoncelj: drums.
Album information
Title: Shades of Fish | Year Released: 2013 | Record Label: Hevhetia
About Ofir Shwartz
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







