My Content
Membership has its privileges! Sign up or sign in to gain full access to both All About Jazz and Jazz Near You. Learn more.
Sex Mob: Sexmob Meets Medeski live in Willisau 2006
How best to describe slide trumpeter Steven Bernstein's singular quartet Sex Mob? Maybe we should start with mercurial musical magician Bernstein himself, whose exotic career as sideman, musical director, arranger and composer has included ten years with John Lurie's Lounge Lizards and stints alongside everyone from Bill Frisell to Sam Rivers, the Flying Karamazov Brothers and, oh yes, Bootsy Collins. Or maybe we should look at his career as bandleader, which includes the trumpet-slide guitar-tuba trio Spanish Fly and the boisterous, cataclysmic nine-piece Millennial Territory Orchestra. Or maybe we should just listen to Bernstein's own summing up of Sex Mob (which began life in residency in 1995 at the Knitting Factory's "late night hang" as a vehicle for Bernstein's own compositions and quickly morphed into a band covering everything from film composer John Barry's James Bond music to Duke Ellington to Prince): "Jazz used to be popular music. People would go out to clubs, listen to the music, go home and get laid. Simple as that. We're bringing that spirit back."
"That spirit"—one of wailing, riotous abandon mixed with eccentric song choices, high musicianship and healthy doses of funky downtown grit—is on ample display on the group's first live recording, Meets Medeski, waxed at Switzerland's Willisau Jazz Festival. Less of a meeting than a reunion—groove god John Medeski is an old cohort of the band and can be found on the group's first release, 1998's Din of Inequity—the disc is divided into three seamless "suites," each of which intersperses a couple of originals with covers of Ellington's "Black and Tan Fantasy," Count Basie's "Blue and Sentimental," two Prince tunes, four Barry "Bond" cuts and (I kid you not) "Down on the Farm" and "Little Liza Jane."
"That spirit"—one of wailing, riotous abandon mixed with eccentric song choices, high musicianship and healthy doses of funky downtown grit—is on ample display on the group's first live recording, Meets Medeski, waxed at Switzerland's Willisau Jazz Festival. Less of a meeting than a reunion—groove god John Medeski is an old cohort of the band and can be found on the group's first release, 1998's Din of Inequity—the disc is divided into three seamless "suites," each of which intersperses a couple of originals with covers of Ellington's "Black and Tan Fantasy," Count Basie's "Blue and Sentimental," two Prince tunes, four Barry "Bond" cuts and (I kid you not) "Down on the Farm" and "Little Liza Jane."
It is, in short, an absolute gas. And it works, thanks to Bernstein's impeccable taste and leadership. For all his mischievous rambunctiousness, Bernstein is both a rigorous designer of musical soundscapes and an exacting conductor; no matter how loose the band seemingly hangs, he keeps it under a watchful eye and the music stays concise and true. (Case in point: the longest tune on the CD clocks in at just over six minutes, a somewhat astonishing achievement for a live jazz disc.) As with any Sex Mob show, the Bond tunes are a highlight: both the calamitous "Oddjob," with Bernstein's ragged trumpet soaring atop Medeski's alternately delicate and bombastic Hammond B3, and Barry's gorgeous "You Only Live Twice," done as boozy, woozy, soul-inflected '60s scream, are sublime. Medeski, as expected, sounds terrific in this context (check out his brusque, rampaging solo over Kenny Wollesen's tumbling drums on "Down on the Farm").
Track Listing: Mob Rule Invocation; Mob Rule 1; Black and Tan Fantasy; Mob Rule 2/Little Liza Jane; Sign O The Times; Down On The Farm; This Never Happened to the Other Guy; Mob Rule 3; This Never Happened Part 2; Blue and Sentimental; Kenny Supreme; Darling Nikki; Odd Job; You Only Live Twice; Mob Rule 4; Artie Shaw.
Personnel: Steven Bernstein: slide trumpet; Briggan Krauss: alto saxophone; John Medeski: organ; Tony Scherr: bass; Kenny Wollesen: drums, percussion.
Title: Sexmob Meets Medeski live in Willisau 2006 | Year Released: 2009 | Record Label: Thirsty Ear Recordings
Tags
Sex Mob
CD/LP/Track Review
Steven Bernstein
Brandt Reiter
Thirsty Ear Recordings
United States
New York
New York City
John Lurie
Bill Frisell
Sam Rivers
duke ellington
Count Basie
Kenny Wollesen
Sexmob Meets Medeski live in Willisau 2006
Related Articles
Live ReviewsTampere Jazz Happening 2018: Warmth for winter
by Mike Collins
Published: November 9, 2018
Genius Guide to JazzTop 10 Moments in Jazz History
by Jeff Fitzgerald, Genius
Published: November 12, 2018
Album Showcase
-
The Heart Intact by Wataru Uchida
-
La Fenice by Keith Jarrett
Jazz Near New York City
Shop Amazon
Story of the Day
In 1998, having a blast playing with a big band made up of students from Thelonius Monk's Institute of Jazz, outdoors, surrounded by the gorgeous mountains of Aspen Snow Mass, I was thinking how much I wanted to create a smaller band that would have the same power of a big band, but with so much more room in it for each musician to shine. Little did I know this was the beginning of a beautiful journey, one that continues to this day, in which every concert, every recording is another beginning, another thrill, another joy. I conceived of the band as a septet 20 years ago, and later refined it to a sextet in 2005
Read more
By Amina Figarova
Member since: 2014
Cast Your Vote!
Help us identify the world's top 100 jazz venues. Voting takes seconds so please participate!
