Home » Jazz Articles » Album Review » Alan Ferber: Roots & Transitions

4

Alan Ferber: Roots & Transitions

By

View read count
Alan Ferber: Roots & Transitions
The first thing that ought to be said about trombonist/composer/bandleader Alan Ferber's latest recording, Roots & Transitions, for his long-standing nonet is that the music holds up very well regardless of whether one knows the circumstances that surrounded its creation.

However, this release marks an important milestone in Ferber's life—the birth of his first child in 2013. Now, Ferber is not the first husband to find his entire attitude toward life completely change with the arrival of a child. But this very special happening was followed by the 2014 Grammy Nomination for Best Large Jazz Ensemble for March Sublime, and then, to top it off, Ferber got a grant from Chamber Music America to create a 60-minute original piece.

Ferber was now faced with the need to provide stability to his new family as well as to continue to be creative in the decidedly unstable music world, plus to come through with the new piece required by the grant. He made the decision to write for his nonet with which he has a ten-year history: Scenes From An Exit Row (2005), The Compass (2008) and Chamber Songs (2010).

Furthermore, Ferber made the decision to write using the trombone instead of the piano in order to save time in the long run. The result of using the single-line instrument was to create simpler and more personal ideas that would become the kernels out of which the pieces would develop.

The notes mention a central melodic motif that is the seed from which the entire piece grows, but this is admittedly hard to hear. However, it is easy to hear that the pieces are related to each other (somehow) and belong together. The music has a personal sound to it in that it was written by Ferber for the specific members of the nonet and displays his command of the sonorities available for this instrumentation; more than this though, is that in some ineffable way, the music tells the story of Ferber's joy and wonderment which is mixed inevitably with anxiety that comes with change.

The set of pieces, which vary widely in mood, opens with "Quiet Confidence," which is a very apt title, as beautiful sonorities proclaim the sprawling theme leading to a very tasteful solo by pianist Bryn Roberts accompanied by big cymbal splashes from drummer Mark Ferber. The third track, "Clocks" raises the temperature, featuring an insistent piano chord that gradually thickens and gets more and more ominous; Jon Gordon's terrific solo which is perfectly consonant with this rather unsettling piece.

The following track, "Wayfarer" could not be more different in that it has traditional structure and harmony along with an easy, very cool swing. "Flow" is next, and sits somewhere between the previous two tracks in intensity and mood. "Echo Calling" (one of two shorter tracks, along with "Hourglass"), is the modern ballad of the recording, with a very pretty melody which is surrounded by lush harmonies. The closing track, "Cycles," builds in energy, starting with trumpet, sax and drums, then adding piano and guitar, until finally the entire band is playing the theme in various combinations with vigor and panache.

Roots & Transitions is terrific music in its own right, putting Ferber's creativity and expertise on display. There are many details of structure, harmony and voicing and as many fine individual performances to savor. Outstanding.

Track Listing

Quiet Confidence; Hourglass; Clocks; Wayfarer; Flow; Perspective; Echo Calling; Cycles.

Personnel

Alan Ferber
trombone

Alan Ferber: trombone; Scott Wendholt: trumpet (tracks 1, 2, 4-7); Shane Endsley: trumpet (tracks 3, 6, 8); Jon Gordon: alto saxophone; John Ellis: tenor saxophone; Charles Pillow: bass clarinet; Nate Radley: guitar; Bryn Roberts: piano; Matt Clohesy: bass; Mark Ferber: drums.

Album information

Title: Roots & Transitions | Year Released: 2016 | Record Label: Sunnyside Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.