Caroline Davis: Portals, Volume 2 : Returning

Alto saxophonist/composer Caroline Davis, a rising star in the jazz world, has unveiled her second installment of the "Portals" series, titled Portals Vol. 2: Returning. This album serves as a sonic memoir, inspired by her grandmother, Joan "Lady" Anson-Weber, and it represents a deeply personal journey of reflection and healing. As a gifted saxophonist and composer, Davis draws upon her grandmother's poetic legacy to craft a musical experience that is both moving and evocative.

This album stands as a testament to Davis' exceptional musicianship and ability to create emotionally resonant compositions. She has been making significant waves in progressive jazz circles, and this album features a stellar ensemble of musicians. Among them are Marquis Hill on trumpet, Julian Shore on piano, Chris Tordini on bass, and Allan Mednard on drums. Additionally, acclaimed flutist Nicole Mitchell lends her talents to two tracks, accompanied by guest artists such as vocalists Jen Shyu, Nappy Nina, Julia Easterlin, and Alexa Barchini and others. The interplay between these skilled artists is seamless, weaving a vibrant soundscape.

Davis' compositions are intricate and approachable, fusing elements of modern jazz with classical and world music influences. The melodies are haunting and unforgettable, while the rhythms are energetic and persuasive. One of the most striking aspects of this production is how Davis weaves her grandmother's poetry into the music. Nina's spoken word elements add depth and meaning to the compositions, offering a glimpse into the personal journey that inspired the album. Davis' saxophone performances are both virtuosic and dramatic, capturing the enthusiastic nuances of the music with remarkable sensitivity.

On "Coming Round," the band generates a groove-based theme with funk undertones. "Only the Names are Changed, Part 2" presents a straightforward pulse, where the hornists deliver intricate unison choruses filled with evocative concepts and odd-metered eruptions. In this track, Nina intersperses rap with Anson- Weber's poem of the same title.

"Everlasting Fire" highlights the poignant, up-tempo balladry by Alexa Barchini, along with Shyu's spoken word, supported by sultry horns and emphatic choruses that create an undulating arrangement leading to the vocalist's melodic refrains. In "Cover Up," Shyu's storytelling unfolds atop softly interconnecting horns, intimating a pensive storyline.

In conclusion, Portals Volume 2: Returning is a notable album that highlights Davis' talents as a musician and composer. It is an intimate and thought-provoking work that should resonate with listeners who seek depth in their music. Davis has created a sonic tapestry that is both original and memorable. This album is a testament to her artistry, inviting listeners to embark on a journey that may linger in their hearts and minds for years to come.

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