Zoo Too Trio: Poetry Legroom

The jazz trio has long captivated both musicians and listeners, with iconic recordings from artists like Bill Evans and Oscar Peterson serving as cornerstones of the genre. But with Poetry Legroom Zoo Too Trio challenges and redefines the conventional format, sidestepping tradition in favor of something more exploratory, cinematic, and emotionally expressive. Pianist Michael Cain, guitarist Keith Price, and drummer Pheeroan AkLaff each bring distinct musical vocabularies to the project, yet the result is remarkably unified—less a rotating soloist showcase than a true collective voice.

Michael Cain, whose résumé includes collaborations with Jack DeJohnette and MeShell NdegeOcello, anchors the group's harmonic imagination. His piano work is fluid and spacious, providing both foreground and landscape. Drummer Pheeroan AkLaff, a longtime figure in the avant-garde and creative music scene, brings a restless rhythmic intelligence that shifts from meditative to eruptive in an instant. Keith Price's guitar adds a unique touch, at times melodic and lyrical, at others textural and jagged, contributing a nuanced layer of complexity to the compositions.

Unlike most piano trios, Zoo Too Trio does not feature a bassist. But Poetry Legroom embraces its configuration, using the group's open geometry as an advantage rather than a limitation. The absence of bass gives the music room to breathe and invites fresh rhythmic interplay along with more daring harmonic detours. Tracks like "Winter Fog Morning" and "Waxing Gibbous" unfold like tone poems, while "Alligator Kangaroo" pulses with angular drive. The inclusion of Ron Blake's "Waltz for Gwen" adds a tender, lyrical contrast.

The title Poetry Legroom seems appropriate since each of the songs invites a sense of introspection and discovery. This is the type of music that taps into the creative sides of consciousness, allowing the imagination to roam freely. Each of the songs becomes an implied story in its own right, pushing the boundaries in the best way. Not avant-garde or experimental, but just unique, honest sincerity.

Throughout the album, the group balances risk with beauty, abstraction with clarity. The trio's collective experience, spanning electronic, folk, classical, and avant-garde idioms, results in a sonic language that is both genre-defiant and deeply rooted in jazz's core principles of improvisation and dialogue.

Poetry Legroom doesn't shout for attention; it invites deep listening. It's an album that rewards patience and curiosity, unfolding gradually with grace and surprising momentum. In a year already rich with inventive trio records, Zoo Too Trio's debut stands apart for its subtle daring and cohesive vision.

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