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Articles | Popular | Future

BOOK REVIEWS

Ziga Koritnik: Cloud Arrangers

Read "Ziga Koritnik: Cloud Arrangers" reviewed by Nenad Georgievski

Cloud Arrangers Ziga Koritnik 376 Pages ISBN: 978-961-288-626-4 Drustvo Pega 2019 Most of the music we experience today is heard removed from the presence of the performers. That is the result of the invention of the phonograph and every other invention to date following in its footsteps. The invention of this apparatus has had the same effect as the printing press had on literature i.e., it allowed numerous people who otherwise wouldn't have ...

ALBUM REVIEWS

Anthony Braxton Quartet: (Willisau) 1991 Studio

Read "(Willisau) 1991 Studio" reviewed by Mark Corroto

Picture Miles Davis finishing a solo and stepping off the bandstand to smoke, while John Coltrane steps up to the microphone to play. I'll bet that never happened with the legendary Anthony Braxton Quartet (1985-1994). His quartet with pianist Marilyn Crispell, bassist Mark Dresser, and drummer Gerry Hemingway may be the best vehicle to appreciate Braxton's conceptions as they relate to the jazz tradition. That period was the turning point for Braxton. His hardscrabble existence ended as he was awarded ...

ALBUM REVIEWS

Anthony Braxton: Sextet (Parker) 1993

Read "Sextet (Parker) 1993" reviewed by Mark Corroto

Is the music of Anthony Braxton impenetrable? Frankly yes, and absolutely not. There are entire wings of his musical house, for instance his Trillium R operas, Echo Echo Mirror House, and Ghost Trance Music, that listeners find untraversable. Some folks cannot reconcile one approach with another or choose to listen solely to one Braxton musical system, such as his work with computer audio programs, or his free improvisational work. With the sheer volume of Braxton's recorded output, a listener's passion ...

LIVE REVIEWS

October Revolution in Jazz & Contemporary Music 2017

Read "October Revolution in Jazz & Contemporary Music 2017" reviewed by Mark Corroto

October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 with a restaurant and beer garden. As a hub for the four days of activity, it was an oasis, allowing both musicians and listeners ...

ALBUM REVIEWS

Anthony Braxton / Miya Masaoka: Duo (DCWM) 2013

Read "Duo (DCWM) 2013" reviewed by John Sharpe

Typically for acclaimed reedman, composer and educator Anthony Braxton his encounter with the Japanese koto, played here by Miya Masaoka, is not even the first such duet in his voluminous discography. That was 11 Compositions (Duo) 1995 with Brett Larner (Leo Records, 1997) which interpreted written materials. For all intents and purposes, Duo (DCWM) 2013 is freely improvised, but with the notable addition of Braxton's interactive electronic textures which add an air of mystery through generally unobtrusive washes, shimmers, tinkled ...

ALBUM REVIEWS

Anthony Braxton: 3 Compositions (EEMHM) 2011

Read "3 Compositions (EEMHM) 2011" reviewed by Karl Ackermann

There is little in the extensive catalog of Anthony Braxton that falls into a customary compositional milieu. His more recently formed conceptual structure, Echo Echo Mirror House (circa 2011), succeeds Ghost Trance Music and Diamond Curtain Wall Music as a platform for his unique system of coded composing and improvising. On 3 Compositions (EEMHM) 2011, each member of the septet has dual functions as they are armed with iPods, in addition to their more familiar instruments. What reads as being ...

LIVE REVIEWS

Anthony Braxton's Sonic Genome at Turin's Jazz Festival 2015

Read "Anthony Braxton's Sonic Genome at Turin's Jazz Festival 2015" reviewed by Francesco Martinelli

Egyptian Museum Turin Jazz Festival Turin, Italy May 28, 2015 Someone might ask: “Why is an African-American saxophonist from jny: Chicago performing inside the Egyptian Museum in Turin? Where is the connection between “da jazz" and Ancient Egypt?" Sorry, but it isn't a legitimate question. If you still don't make the connection, take the Sun Ra 101 course including mandatory listening of recordings by Earth, Wind and Fire... The context Torino's ...

ALBUM REVIEWS

Anthony Braxton: Trio and Duet

Read "Trio and Duet" reviewed by Hrayr Attarian

Multi reed player and composer Anthony Braxton has been called a genius by some and for very good reason. He is one of the most restlessly innovative and intelligently idiosyncratic contemporary musicians. He seamlessly erases the boundaries between the composed and the improvised and his works brim equally with fresh and progressive ideas as well as concepts rooted in both the modern classical and the early free jazz traditions.Delmark Records has reissued on CD his Trio and Duet ...

ALBUM REVIEWS

Anthony Braxton Quartet: (Santa Cruz) 1991 1st Set

Read "(Santa Cruz) 1991 1st Set" reviewed by Mark Corroto

Decoding the music of Anthony Braxton might be a lifetime's mission. With his symbol system compositions and grand unification theories, even the trained ear admits to perplexity and a certain ignorance. Braxton has never stopped, nor slowed to explain himself to listeners. There are moments of insights though, in his performances. One can glean his approach when he covers jazz standards, plays the music of Charlie Parker or Lennie Tristano. Perhaps another window into the mind of the great one ...

ALBUM REVIEWS

Anthony Braxton: Trio and Duet

Read "Trio and Duet" reviewed by Troy Collins

Vanguard composer and multi-instrumentalist Anthony Braxton has long inspired debate among conservative critics as to whether or not his urbane contributions should be considered part of the jazz canon; oblique strategies notwithstanding, Braxton's abstruse efforts rarely swing in a conventional sense, forever fuelling the argument. Nonetheless, Arista Records signed Braxton to a six year contract late in 1974--an unprecedented move on the major label's behalf that brought widespread attention to the maverick conceptualist's heterogeneous artistry. Trio and Duet ...

ALBUM REVIEWS

Anthony Braxton: Sax Quintet (New York) 1998

Read "Sax Quintet (New York) 1998" reviewed by John Sharpe

Saxophone agglomerations are not without precedent in reedman/composer Anthony Braxton's copious playbook. Indeed, his “Composition 37" for four saxophones on New York, Fall 1974 (Arista, 1975) could be said to have launched the genre, bringing together as it did three of the founder members of the pioneering World Saxophone Quartet two years before their eventual formation. What is perhaps even more remarkable about Sax Quintet (New York) 1998 is that the single piece performed, “Composition 173," was originally scored for ...

EXTENDED ANALYSIS

Anthony Braxton: Tentet (Wesleyan) 1999

Read "Anthony Braxton: Tentet (Wesleyan) 1999" reviewed by John Sharpe

Even though his output suggests that saxophonist/composer/educator Anthony Braxton has never wanted for outlets for his music, he hasn't always had the control he desired. All that changed with the launch in 2011 of the New Braxton House imprint, which issues a new digital download each month drawn from his voluminous archives. This initiative has allowed the gaps in his back catalogue to be filled, and edges ever closer to the goal of documenting all the master's works. On the ...