Home » Jazz Articles » Album Review » Henry Threadgill Ensemble Double Up: Old Locks And Irregular Verbs

18

Henry Threadgill Ensemble Double Up: Old Locks And Irregular Verbs

By

Sign in to view read count
Henry Threadgill Ensemble Double Up: Old Locks And Irregular Verbs
The premiere of Old Locks and Irregular VerbsHenry Threadgill's tribute to his longtime friend and colleague, musical pioneer Lawrence D. "Butch" Morris—was easily one of the most talked about events at the 2014 edition of New York's Winter Jazzfest. The buzz factor and expectation surrounding this work and the band performing it was so strong, in fact, that it was scheduled for two performance slots. For any other act at a festival that prides itself on diversity, that might've been programming overkill; in this particular case, it seemed perfectly appropriate.

Shortly before the second performance, a NYC Winter Jazzfest insider who had seen the true premiere commented that it was a stunning piece with a major payoff at the end. Truer thoughts have never been verbalized. That second presentation at Judson Memorial Church turned out to be a brilliant and brooding melange of musical questions and answers, capped off with a super-charged finale that brought the house down. It was a genius display of tectonic shifts shaped by the mind and hands of one of jazz's boldest and deepest composers.

Now, more than two years later, Old Locks and Irregular Verbs appears again. In some respects, this incredibly adventurous recorded version of that four-part piece seems to be slightly more reserved than what came to pass on that notable second flight. One example surrounds the sendoff. Memories of a clangor-filled "Part Four" in concert are replaced by a highly ripened version here, a moaning and cathartic amalgam that delivers a more compact punch on its way out. But memories are tricky hangers-on that are prone to alteration and exaggeration over time, so perhaps the difference(s) between the then and now aren't so large after all. It's hard to say after a two year gap between experiences, but there's no doubt that what fills this album is heady and absorbing.

Threadgill doesn't play a note here, but his presence is felt in the way that Ensemble Double Up—a band with two pianos, two alto saxophones, cello, tuba, and drums—coalesces and comes apart. His signatures—layered thoughts, focal shifts—are all over the piece. Solo episodes, dense environments, and strokes of individuality followed or overlapped with fearless ripostes share space as this sui generis septet does its work. One minute the listener may be admiring the manner in which pianists Jason Moran and David Virelles work together and apart, using a style of avant-pointillism to their mutual advantage. But then attention might instantly shift to the rhythmic turbulence created by drummer Craig Weinrib beneath the interactive combination of tuba provocateur Jose Davila and cellist Christopher Hoffman. And then there's the two alto team of Roman Filiu and Curtis MacDonald to contend with. It's all too much to think about, except for the fact that it's not. Threadgill's masterful blend of the independent and interdependent is alive and well in Old Locks and Irregular Verbs.

Track Listing

Part One; Part Two; Part Three; Part Four.

Personnel

Henry Threadgill: composition; Jason Moran: piano; David Virelles: piano; Roman Filiu: alto saxophone; Curtis MacDonald: alto saxophone; Christopher Hoffman: cello; Jose Davila: tuba; Craig Weinrib: drums.

Album information

Title: Old Locks And Irregular Verbs | Year Released: 2016 | Record Label: Pi Recordings

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

What Was Happening
Bobby Wellins Quartet
Laugh Ash
Ches Smith
A New Beat
Ulysses Owens, Jr. and Generation Y

Popular

Eagle's Point
Chris Potter
Light Streams
John Donegan - The Irish Sextet

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.