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Roman Filiu

It is hard to say what Roman Filiu’s hometown is. Probably, the best way to explain it is that he was born in Cuba but raised in music. After graduating from the Higher Institute of Art in Havana and working as a saxophone professor at the National School of Music in the same city, Filiu joined to the well-known band Irakere, leaded by Chucho Valdes, from 1997 to 2006. In those 9 years that he spent with them, Filiu not only became an experienced and respected musician but also he got to travel around the world. In the U.S Irakere performed at the Carnegie Hall and The Chicago Symphony Hall, among other important venues of the music scene. Also, he participated in the recording of the album Babalú Ayé (1999), which was nominated to the Best Latin Jazz Album Grammy Award.

He continued playing and recording as a guest with the Chucho Valdes Quartet. Filiu played the alto sax in the piece “You don’t know what love is” for Chucho Valdés’ album New Conceptions, which won a Grammy Award later in 2004. Another important collaboration as a sideman was his work with David Murray. Filiu became Murray’s Latin Big Band musical director in 3 of his albums, Now is the time (2002), Waltz Again (2005) and David Murray plays Nat King Cole in Spanish (2009). Also, Filiu has played with other important musicians as Omara Portuondo, Pablo Milanés, Issac Delgado, Michael Mossman, Roy Hargrove, Gonzalo Rubalcaba, Dafnis Prieto and the Buena Vista Social Club, among others.

His career kept him always busy but it didn’t stop him to release his first album Blowin’ Reflections in 2006, while living in Madrid, Spain, where he moved in 2005. This album was still close to his influences of the Afro-Cuban rhythms but it showed in great part his interest for a more contemporary sound. Actually, it is possible to find relations to John Coltrane in his playing and even Miles Davis conceptions of the quintet. In Spain he went closer to other influences and he also made part of the experiments between Flamenco and Jazz.

He moved to New York in 2011 and brought with him his second album Musae (2012) that he recorded in Madrid and he just released here. This album keeps the same format of quintet and brings together great musicians as David Virelles, Reinier Elizarde, Marcus Gilmore, Dafnis Prieto and Adam Rogers. A review by Midwest Record says about it that “While there are strong elements of church basement flavored Coltrane, this sets up a nice contemporary groove that veers to the left throughout.”

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Album Review

Arturo O'Farrill & The Afro Latin Jazz Orchestra: Mundoagua: Celebrating Carla Bley

Read "Mundoagua: Celebrating Carla Bley" reviewed by Angelo Leonardi


Scoperto da Carla Bley nel 1979, quand'era ancora studente diciannovenne, e rimasto nei suoi gruppi per tre anni, Arturo O'Farrill ne celebra la memoria con quest'album ambizioso, che raccoglie due sue suites ed una ("Blue Palestine") che lui stesso commissionò alla grande autrice e bandleader nel 2019, quattro anni prima della sua morte. “Mundoagua" la composizione che apre il disco è stata scritta per commemorare l'Anno dell'acqua ed ha avuto la sua anteprima al Miller Theater di New ...

36
Album Review

Arturo O'Farrill: Mundoagua: Celebrating Carla Bley

Read "Mundoagua: Celebrating Carla Bley" reviewed by Jack Bowers


Mundoagua, the latest album by composer and pianist Arturo O'Farrill's Afro Latin Jazz Orchestra, is subdivided into three suites, the second of which is the four-movement “Blue Palestine," written and arranged by another celebrated composer and pianist, Carla Bley, a leading light in the avant-garde free jazz movement of the mid-twentieth century, who died of cancer in October 2023. The opening suite, “Mundoagua," commissioned by the Columbia University School of the Arts in 2018 to commemorate the ...

Album Review

Marta Sanchez: SAAM (Spanish American Art Museum)

Read "SAAM (Spanish American Art Museum)" reviewed by Alberto Bazzurro


La giovane pianista madrilena Marta Sanchez, ormai da tempo di stanza a New York, dirige in questo suo nuovo lavoro, inciso nel marzo 2021, un agguerrito quintetto con doppio sax che in un brano, “Marivi," si allarga a ottetto con l'ingresso di tromba (e che tromba: Ambrose Akinmusire), voce/chitarra e synth, dando sempre la precisa impressione di riuscire a dire ciò che sta nelle sue attuali corde. Il dialogo--l'interscambio--è per lo più fitto, vitale, ma sempre dall'alto ...

92
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Gabriel Vicéns: The Way We Are Created

Read "The Way We Are Created" reviewed by Mark Sullivan


Puerto Rican jazz guitarist & composer Gabriel Vicéns has been living in New York City since 2016 but, for this album, he chose to explore traditional Puerto Rican music (Bomba and Plena—music and dance styles born from African slavery and Caribbean influences) blended with his own compositional style. He was also exposed to Cuban Changüí, and began incorporating some stylistic devices from it into his guitar playing. The title tune begins the program with an infectious ostinato pattern ...

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Album Review

Arturo O'Farrill: Virtual Birdland

Read "Virtual Birdland" reviewed by Jack Bowers


Whenever an obstacle presents itself--even one as devastating and disruptive as a global pandemic--it's a sure bet that musicians will find a way around it, a way to keep making music even in the most grievous circumstances. Jazz musicians have been especially creative during the Covid-19 scourge, using social media, the internet and any other means at their disposal to share their music with the world. True, the paychecks aren't as large or as regular as once they were, but ...

2
Album Review

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Read "Clear Line" reviewed by Dan Bilawsky


As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to bold heights on this, the most original, least derivative big band recording to arrive in ages. Basically throwing out the rule ...

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Album Review

Dafnis Prieto Sextet: Transparency

Read "Transparency" reviewed by John Chacona


In Cuban music, emotional grandeur and extravagant virtuosity is built on a foundation of inexhaustible rhythm. So, it's no surprise to find an abundance of juicy melodies and breathtaking drumming on Transparency from drummer and MacArthur “Genius" Fellow Dafnis Prieto. Yet for all the astonishing things he does behind the kit, what stands out on Transparency is the dazzling formal sophistication of Prieto's compositions. Eight of the nine composer credits are his and the outlier, an arrangement of ...

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Recording

Saxophonist/Composer Roman Filiu Releases Musae (Dafnison Music)

Saxophonist/Composer Roman Filiu Releases Musae (Dafnison Music)

Source: Two for the Show Media

Sometimes music can be born from a simple walk around the block of a neighborhood in Madrid. Some others music develops because of the influence of other arts. Musae has both. It shows an inspirational journey where the music has been thought from many different perspectives. The Cuban saxophonist Roman Filiu releases this time his second album that owns the best qualities of the contemporary jazz. Risk, sensibility and some mystery (that you can also tell on some of the ...

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Music

Recordings: As Leader | As Sideperson

Mundoagua:...

Zoho Music
2025

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SAAM (Spanish...

Whirlwind Recordings
2022

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Virtual Birdland

Zoho Music
2021

buy

The Way We Are Created

Inner Circle Music
2021

buy

Todas las Voces

Blue Fern Record​s
2020

buy

Transparency

Dafnison Music
2020

buy

Blue Palestine Part Two

From: Mundoagua: Celebrating Carla...
By Roman Filiu

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