345

Fred Frith: Nowhere / Sideshow / Thin Air

John Kelman By

Sign in to view read count
Fred Frith: Nowhere / Sideshow / Thin Air His sixth album of music for dance, Nowhere / Sideshow / Thin Air continues multi-instrumentalist/composer Fred Frith's longstanding collaboration with Carla Kihlstedt. The violinist was heard most recently on Frith's previous dance disc, The Happy End Problem (ReR Megacorp, 2006), and in performance as part of his well-received Art Bears Songbook, with Art Bears percussionist/lyricist/co-founder Chris Cutler, and Cosa Brava, a new rock-oriented group with a debut disc due out in 2010. It's clearly a fruitful relationship that has seen the intrepid duo explore everything from the avant-tinged to the painfully beautiful. Even when he's being lyrical—as he seems to be more often than not lately— Frith skews his music to the left of center; distinctly personal even when eminently hummable.



This is no surprise from a co-founder of British group/Rock in Opposition progenitor, Henry Cow, whose 40th Anniversary Box Set (ReR Megacorp, 2008) was an overdue expansion of the limited perspective its original recordings provided. Cow may have been compositionally dense and improvisationally unfettered, but it was also capable of memorable if oblique melodism, and Frith's inherent stylistic eclecticism has only matured with time.



Nowhere is the disc's most angular suite, with Kihlstedt's participation more spare; often buried within Frith's layers of guitars, bass, keyboards, samples, percussion, and voice. From the industrial to the ethereal, this series of miniatures draws from overtly musical sources and sonics from farther afield—"found-scapes," as Frith calls them.



Even when this music isn't to be felt more than heard, Frith refracts beauty through an unpredictable prism. Sideshow leans more decidedly towards the melodic, though constructed from contrapuntal layering. On "clearing the throat," Frith playfully exchanges classical guitar lines with Kihlsted over a melancholic but unpredictable electric guitar drone, spare percussion, and sampled sounds. Even more immediately compelling, the fugue-like "show time" is an ebbing-and-flowing piece for two violins (he joins Kihlstedt on "low-grade violin"), acoustic guitar, and piano. Only the dryly humorous Frith would include Kihlstedt's performance gaff (or is it?); the violinist apologizes as the piece continues—trying, it seems, to find its feet but only doing so in its final few seconds.



The only dance score that doesn't involve Kihlstedt is Thin Air which, with violinist Hande Erdem and cellist Theresa Wong, suggests—and delivers—a chamber-like intimacy, but no more so than the rest of this genre-busting disc that catholically references a variety of styles, but ultimately transcends all of its sources. Most unexpected is the closing "fast feet," a rocking miniature that, more than anything else, hints at what might be to come with Cosa Brava. It's never a bad idea to leave your audience hungry for more, and as full a program as the 77-minute Nowhere / Sideshow / Thin Air is, its prescient ending does just that.


Track Listing: Nowhere: to run; near; to be seen; else; can compare; getting; going; to hide. Sideshow: clearing the throat; show time; on or in the wing; act two; angels with thirty faces; in which all may have been revealed; ghost of BB; Ms. Mac drinks and goes home. Thin Air: ladders; screened; plastic; running; falling; fast feet.

Personnel: Fred Frith: electric guitar, acoustic guitar (9-22), keyboards, bass, percussion, voice (1-8), samples (1-8, 17-22), bass mbira (9-16), low-grade violin (10), computing (9-22), radio (17-22), running (17-22); Carla Kihlstedt: violin (1-16); Gail Brand: trombone cameo (9-16); Fred Giuliani: samples (9-16); Hande Erdem: violin (17-22); Theresa Wong: cello (17-22).

Title: Nowhere / Sideshow / Thin Air | Year Released: 2009 | Record Label: ReR Megacorp


Tags

Related Video

comments powered by Disqus

More Articles

Read Crossing CD/LP/Track Review Crossing
by Geno Thackara
Published: June 25, 2017
Read Unit[e] CD/LP/Track Review Unit[e]
by Karl Ackermann
Published: June 25, 2017
Read Such A Sky CD/LP/Track Review Such A Sky
by Bruce Lindsay
Published: June 25, 2017
Read Buer: Book Of Angels Volume 31 CD/LP/Track Review Buer: Book Of Angels Volume 31
by Dan McClenaghan
Published: June 25, 2017
Read BACHanalia CD/LP/Track Review BACHanalia
by Jack Bowers
Published: June 24, 2017
Read Hallways CD/LP/Track Review Hallways
by Paul Rauch
Published: June 24, 2017
Read "Blue And Lonesome" CD/LP/Track Review Blue And Lonesome
by Doug Collette
Published: February 4, 2017
Read "Viriditas" CD/LP/Track Review Viriditas
by Troy Dostert
Published: April 14, 2017
Read "Nine Thoughts For One Word" CD/LP/Track Review Nine Thoughts For One Word
by John Ephland
Published: October 1, 2016
Read "The Busker" CD/LP/Track Review The Busker
by Glenn Astarita
Published: May 30, 2017
Read "Piano Song" CD/LP/Track Review Piano Song
by Troy Collins
Published: January 26, 2017
Read "Obnoxius" CD/LP/Track Review Obnoxius
by Chris M. Slawecki
Published: November 20, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.