Results for "Fred Frith"
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Fred Frith
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Multi-instrumentalist, composer, and improviser Fred Frith has been making noise of one kind or another for almost 50 years, starting with the iconic rock collective Henry Cow, which he co-founded with Tim Hodgkinson in 1968. Fred is best known as a pioneering electric guitarist and improviser, song-writer, and composer for film, dance and theater. Through bands like Art Bears, Massacre, Skeleton Crew, Keep the Dog, the Fred Frith Guitar Quartet and Cosa Brava, he has stayed close to his roots in rock and folk music while branching out in many other directions. Composing for dance throughout his long career, Fred has worked with Rosalind Newman and Bebe Miller in New York, François Verret and Catherine Diverrès in France, and Amanda Miller and the Pretty Ugly Dance Company over the course of many years in Germany, as well as composing for two documentary films on the work of Anna Halprin. Theater credits include the Creation Company in New York and François-Michel Pesenti’s Théâtre du Point Aveugle in Marseille, where he spent six months in 1990 working with “jeunes rockers en chômage des quartiers défavorisés” (young unemployed rock musicians from the ghettos) on the opera Helter Skelter. His compositions have been performed by ensembles ranging from Arditti Quartet and the Ensemble Modern to Concerto Köln and Galax Quartet, from the BBC Scottish Symphony Orchestra to ROVA and Arte Sax Quartets, from rock bands Sleepytime Gorilla Museum and Ground Zero to the Glasgow Improvisers’ Orchestra. Film music credits include the acclaimed documentaries Rivers and Tides, Touch the Sound and Leaning into the Wind, directed by Thomas Riedelsheimer, The Tango Lesson, Yes and The Party by Sally Potter, Werner Penzel’s Zen for Nothing, Peter Mettler’s Gods, Gambling and LSD, and the award-winning (and Oscar-nominated) Last Day of Freedom, by Nomi Talisman and Dee Hibbert-Jones. Fred has performed works by and sometimes alongside composers John Luther Adams, Gavin Bryars, Sylvie Courvoisier, Alvin Curran, George Lewis, René Lussier, Jose Maceda, Meredith Monk, Terry Riley, and Christian Wolff; improvised with Paolo Angeli, Lotte Anker, Derek Bailey, Chris Brown, Lol Coxhill, Chris Cutler, Janet Feder, Joëlle Léandre, Miya Masaoka, Phil Minton, Ikue Mori, Butch Morris, Bob Ostertag, Evan Parker, Zeena Parkins, and Camel Zekri, to name a few; collaborated with classical virtuosi Evelyn Glennie, Katia Labèque, Viktoria Mullova, and Werner Bärtschi; and—as session musician—recorded on albums by, for example, Brian Eno, The Residents, Robert Wyatt, The Swans, Violent Femmes, Material, Negativland, John Zorn, Matthew and the Unfortunates, and Half Japanese. He is currently performing with the Fred Frith Trio and Frelosa. The recipient of Italy’s Demetrio Stratos Prize for his life’s work in experimental music and an honorary doctorate from the University of Huddersfield in his home county of Yorkshire, Fred is Professor Emeritus at the legendary epicenter of American experimental music, Mills College in Oakland, California
Jazzfest Berlin 2023
by Giuseppe Segala
Haus der Berliner Festspiele Quasimodo Jazz Club, A-Train Jazz Club, Berlino 2-5.11.2023 C'era più di un buon motivo per stimolare quest'anno la decisione di raggiungere il Jazzfest Berlin: primo tra tutti, la presenza di un grande protagonista come Henry Threadgill, che giunto sulla soglia degli ottant'anni, con alle spalle una ...
Mark Dresser: Tines of Change
by Jeff Schwartz
Since his arrival as a member of Anthony Braxton's mid-1980s quartet, Mark Dresser has been expanding the sonic palette of the upright bass. Like Barre Phillips, Barry Guy, and Joëlle Léandre before him, Dresser drew from both the classical avant-garde of players such as Bertram Turetzky and Fernando Grillo and the more intuitive improvisational approaches of ...
Festival International de Musique Actuelle de Victoriaville 2023
by Mike Chamberlain
Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 18-21, 2023 This year's 39th edition of the Festival International de Jazz de Victoriaville (FIMAV) was characterized by a new performance space, a good number of noteworthy performances, and trepidation about the future of the festival following artistic director Michel ...
Michel Levasseur Leaves the Building
by Mike Chamberlain
The run-up to this year's 39th edition of the Festival International de Musique Actuelle de Victoriaville (FIMAV, or Victo) has been anything but routine. First, it was announced in December that the City of Victoriaville had rescinded the festival's contract for the use of the Colisée des Bois-Francs arena as one of the festival's two main ...
Fred Frith - Susana Santos Silva: Laying Demons To Rest
by John Sharpe
It seems Portuguese trumpeter Susana Santos Silva is riding the crest of a wave, following acclaimed collaborations with the likes of saxophonists Anthony Braxton and Mats Gustafsson and pianist Kaja Draksler. It is a trajectory only likely to be reinforced by her alliance with British guitarist Fred Frith on Laying Demons To Rest. They've been playing ...
The Muffins: Baker's Dozen
by Mark Sullivan
The Muffins were a Washington, D.C. area progressive rock band who were active from 1974-81 and then again (with their best-known line-up still intact) from 1993-2015. It is rare for any group to reform after more than a decade apart, and still rarer for them to resume their creative life rather than indulge in nostalgia. But ...
Bergamo Jazz Festival 2022. Prima parte: la Città Alta
by Libero Farnè
Bergamo Varie sedi 17-20.3.2022 Dopo lo slittamento a settembre dell'edizione 2021 a causa delle restrizioni della pandemia, il Bergamo Jazz Festival è tornato a svolgersi in marzo, come nella sua consolidata tradizione. Una rete di spazi prestigiosi di varia capienza, sparsi nella Città Alta e in quella Bassa, ha accolto di volta ...
Week Of Surprise 2021
by Martin Longley
Week Of Surprise Stadtgarten/Christuskirche Cologne, Germany October 11-16, 2021 In the usual times, Week Of Surprise would be Night Of Surprise, with all of its sonic wonderment compressed into a kaleidoscopically overlapping sequence, where chance encounters were actively encouraged. In virus times, a more sober incarnation came into ...
