Home » Jazz Articles » Album Review » Benny Lackner Trio: Not the Same
Benny Lackner Trio: Not the Same
He and his band work wonders with "Moanin' : Derek Nievergelt's tricked-out bass line and Lackner's electronica splats and keyboard smears should serve as inspiration for an entirely new approach to the Mingus songbook. Hendrix's "If Six Was Nine grabs you by the belt buckle before Lackner mixes up the mood with bent-note acoustic, wah-wah keyboard effects, and cold sprinkles of electric piano. And their textured takes on "99 Luftballons (electronic squiggles and a drum 'n' bass beat) and Nick Drake's "Riverman (dreamy and foreboding), separate the underlying melodies from the more familiar vocal lines, with piano defining the reinterpretations.
The pensiveness Lackner examines in Drake is a thread that runs through his own "Will it Matter and the title track, with crisp brush work from Robert Perkins, sure-footed bass and stinging keyboard. But this relative repose is offset by the controlled aggression of the drum 'n' bass feel he finds in "Nena" and revisits in "Umlaut, Perkins' beat stopping and starting while Nievergelt maintains a steady pulse.
Not the Same is beautifully sequenced, alternating aggression with reflection and contemporary sounds with nods to tradition. There is some precedent for the Benny Lackner Trio, and the leader has his influences, but overall this music has wit and a freshness that can be all too rare.
Visit Benny Lackner on the web.
Track Listing
99 Luftballons; Will it Matter; Umlaut; If Six Was Nine; Moanin; Bushisms; Bemsha Swing; Riverman; Red Hook; Sheep
Personnel
Benjamin Lackner
pianoBenny Lackner: piano, Fender Rhodes, Nordelectro, Nordlead 2, Hohner Pianet; Derek Nievergelt: acoustic and electric bass; Robert Perkins: drums and percussion.
Album information
Title: Not the Same | Year Released: 2005 | Record Label: Nagel Heyer Records
About Benjamin Lackner
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






