All About Jazz

Home » Articles » CD/LP/Track Review

1

Rova Orkestrova: No Favorites!

Troy Collins By

Sign in to view read count
Ever since its formation in 1977, Rova, the pioneering West Coast saxophone quartet, has been augmenting its ranks to explore structured improvisation. No Favorites! pays homage to Lawrence D. “Butch” Morris, the inventor of Conduction, a revolutionary system for organizing large-ensemble improvisation using coded gestures. This ambitious album epitomizes a working relationship that Rova began with Morris in 1988, while also reflecting parallel working methods reaching back to the mid-1970s. Building on previous efforts in this milieu, the saxophone quartet joins forces with an acoustic string quartet and an amplified power trio, expanding its tonal color palette in the process.

Emphasizing the infinite scope of Morris' vision throughout the program's three extended pieces, the session includes dynamic group improvisations guided by diverse compositional principles; the first and third employ Conduction, the second, graphic notation.

Larry Ochs' "Nothing Stopped/But A Future" is the most complex. Percussionist Gino Robair serves as conductor, leading the musicians through the labyrinthine score's intricate sequence, which permits individuals the freedom to choose between multiple strategies. Constantly fluctuating levels of freedom and restraint yield a bewilderingly kaleidoscopic effect; instruments materialize, coalesce and subside suddenly, in fleeting episodes reminiscent of John Zorn's post-modern game pieces, themselves contemporaries of Morris' Conductions.

"The Double Negative" highlights the sub-groupings of Orkestrova in a trilogy of graphic scores, presenting three distinct sets of instrumental combinations that represent classical, jazz, and rock, before uniting in a powerful, collective finish. The strings bring austere formalism and harmonious contours to the first segment, a keen interpretation of Jon Raskin's "Flower Power." The second, Steve Adams' "Graphic #38 (for Steve Lacy)," is performed with breathy understatement by Rova, whose sinuous hocketing recalls the dedicatee's oblique intervals, while the third, Adams' "Graphic #41," is given a nervy metallic reading by the electric power trio.

The epic finale, "Contours of the Glass Head," employs Conduction, but with the role of "conductionist" alternating among Rova's founding members. Lavish chordal drones intermittently convey an implied sense of narrative with the precision of a pre-written score across a range of multihued interludes: sinewy interplay from the strings; cacophonous exchanges between bleating saxophones; and searing electric rhapsodies from guitarist John Shiurba all conspire towards a unified finale of majestic polyphony.

Transcending musical categories and the outdated structures of genre, No Favorites! is more than just a tribute to Morris' ground-breaking techniques, it is a democratic appeal for sonic unity that resonates with the rich history of large-ensemble improvisation, in which instruments and ensembles are no longer segregated by stylistic constraints.

Track Listing: Nothing Stopped/But A Future (for Buckminster Fuller); The Double Negative; Contours of the Glass Head.

Personnel: Bruce Ackley: soprano saxophone; Steve Adams: alto saxophone; Larry Ochs: tenor saxophone; Jon Raskin: baritone saxophone; Tara Flandreau: viola; Christina Stanley: violin; Alex Kelly: cello; Scott Walton: acoustic bass; John Shiurba: electric guitar; Jason Hoopes: electric bass; Jordan Glenn: drums; Gino Robair: conduction (1).

Title: No Favorites! | Year Released: 2016 | Record Label: New World Records

Tags

comments powered by Disqus

CD/LP/Track Review
Multiple Reviews
CD/LP/Track Review
Read more articles
No Favorites!

No Favorites!

New World Records
2016

buy
Totally Spinning

Totally Spinning

Black Saint
2006

buy
Electric Ascension: An Interpretation of John Coltrane's Ascension

Electric Ascension:...

Atavistic Worldwide
2005

buy
Electric Ascension

Electric Ascension

Atavistic Worldwide
2005

buy
 

As Was

Atavistic Worldwide
2001

buy
 

Morphological Echo

Rastascan Records
1998

buy

Related Articles

Read Walk The Walk CD/LP/Track Review
Walk The Walk
by Mark Sullivan
Published: May 21, 2018
Read Vol II CD/LP/Track Review
Vol II
by Geno Thackara
Published: May 21, 2018
Read Months, Weeks and Days CD/LP/Track Review
Months, Weeks and Days
by Glenn Astarita
Published: May 21, 2018
Read Space Is The Place CD/LP/Track Review
Space Is The Place
by James Fleming
Published: May 21, 2018
Read Poetry in Motion CD/LP/Track Review
Poetry in Motion
by Liz Goodwin
Published: May 21, 2018
Read Murals CD/LP/Track Review
Murals
by Dan McClenaghan
Published: May 20, 2018
Read "Beethoven – Missa Solemnis" CD/LP/Track Review Beethoven – Missa Solemnis
by C. Michael Bailey
Published: March 17, 2018
Read "D'Agala" CD/LP/Track Review D'Agala
by Mark Corroto
Published: January 22, 2018
Read "3Divas" CD/LP/Track Review 3Divas
by Geannine Reid
Published: June 1, 2017
Read "Seifert" CD/LP/Track Review Seifert
by Ian Patterson
Published: August 10, 2017
Read "New Standards Vol. 3" CD/LP/Track Review New Standards Vol. 3
by Dan Bilawsky
Published: April 5, 2018
Read "Live" CD/LP/Track Review Live
by Roger Farbey
Published: September 9, 2017